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The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s
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References

  • 2010AMERICAN STIOB: Or, What Late-Socialist Aesthetics of Parody Reveal about Contemporary Political Culture in the West250 cited
  • 1997The Cynical Reason of Late Socialism: Power, Pretense, and theAnekdot229 cited
  • 1982A Theory Of Musical Genres. Two Applications188 cited
  • 2005Tear off the Masks! Identity and Imposture in Twentieth-Century Russia136 cited
  • 2001Categorical conventions in music discourse: style and genre123 cited
  • 2000Intertextuality and Hypertextuality in Recorded Popular Music106 cited
  • 1997Rocking the classics : English progressive rock and the counterculture105 cited
  • 2006Performing democracy: Bulgarian music and musicians in transition92 cited
  • 2003Moving Beyond Motion: Metaphors for Changing Sound77 cited
  • 1986On the Beneficence of Censorship: Aesopian Language in Modern Russian Literature66 cited
  • 2013Progressive Rock Reconsidered48 cited
  • 2012Beyond and before: progressive rock since the 1960s45 cited
  • 2013Voicing freedom, sounding dissent: Popular music, simulation and citizenship in democratizing Albania, 1991–199724 cited
  • 2013Pussy Riot, freedom of expression, and popular music studies after the Cold War22 cited
  • 2014Winning and Losing in Russian New Music Today

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17 cited
  • 2003You can't rid a song of its words: notes on the hegemony of lyrics in Russian rock songs16 cited
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