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Cited by

• 2010Bent Hemingway40 cited
• 2001Invalid Masculinity: Silence, Hospitals, and Anesthesia in A Farewell to Arms39 cited
• 2001Melancholy Modernism: Gender and the Politics of Mourning in The Sun Also Rises36 cited
• 2002Fathers, Lovers, and Friend Killers: Rearticulating Gender and Race Via Species in Hemingway35 cited
• 2011Race-ing Hemingway: Revisions of Masculinity and/as Whiteness in Ernest Hemingway’s Green Hills of Africa and Under Kilimanjaro35 cited
• 2008The “Lost Generation” and the Generation of Loss: Ernest Hemingway’s Materiality of Absence and The Sun Also Rises34 cited
• 2005"He Felt the Change So That It Hurt Him All Through": Sodomy and Transvestic Hallucination in Late Hemingway34 cited
• 2009“We Live in a Country Where Nothing Makes any Difference”: The Queer Sensibility of A Farewell to Arms31 cited
• 2012Gender, race, and mourning in American modernism31 cited
• 2012Hemingway, Wilhelm, and a Style for Lesbian Representation29 cited
• 2015Hemingway, Style, and the Art of Emotion29 cited
• 2017Retrospective Radicalism: Politics and History in Ernest Hemingway’s A Farewell to Arms27 cited
• 2003Hemingway's Masochism, Sodomy, and the Dominant Woman17 cited
• 2007Life Unworthy of Life?: Masculinity, Disability, and Guilt in The Sun Also Rises