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Envisioning a “Whitened” Brazil: Photography and Slavery at the World’s Fairs, 1862–1889
3 references·2 citing·15 second hop
Envisioning a “Whitened” Brazil: Photography and Slavery at the World’s Fairs, 1862–1889 (2015)Envisioning a “Whitened” Brazil: Photogra…Die Verwandlung der Welt (2009)Die Verwandlung der WeltPicturing Tropical Nature (2002)Picturing Tropical NatureMexico at the world's fairs: crafting a modern nation (1997)Mexico at the world's fairs: …Manufacturing the Raw in Design Pageantries: the Commodification and Gendering of Brazilian Tropical Nature at the 1867 Exposition Universelle (2017)Manufacturing the Raw in Desi…Exposições internacionais: uma abordagem historiográfica a partir da América Latina (2017)Exposições internacionais: um…Displaying the Orient: Architecture of Islam at Nineteenth-Century World's Fairs. (1993)Picturing Tropical Nature (2001)An Environmental History of Latin America (2007)Culture as history : the transformation of American society in the twentieth century (1984)Propaganda and Empire: The Manipulation of British Public Opinion, 1810-1960 (1985)The Birth of the Museum: History, Theory, Politics (1996)Pulp Fictions of Indigenism. (2003)Seeing the State (2005)Assembling the Tropics (2018)1910 Mexico City: Space and Nation in the City of theCentenario (1996)Nationalist exclusion and ethnic conflict shadows of modernity (2002)On Auto-Ethnographic Authority (2003)Varieties of second modernity: the cosmopolitan turn in social and political theory and research (2010)The Arab Spring: Why the Surprising Similarities with the Revolutionary Wave of 1848? (2012)New Frontiers in Social Innovation Research (2015)
this work references cited by second hop

References

  • 2009Die Verwandlung der Welt967 cited
  • 2002Picturing Tropical Nature237 cited
  • 1997Mexico at the world's fairs: crafting a modern nation193 cited

Cited by

  • 2017Exposições internacionais: uma abordagem historiográfica a partir da América Latina25 cited
  • 2017Manufacturing the Raw in Design Pageantries: the Commodification and Gendering of Brazilian Tropical Nature at the 1867 Exposition Universelle7 cited

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