SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Diy Habitus of Australian Hip Hop
5 references·6 citing·37 second hop
The Diy Habitus of Australian Hip Hop (2007)The Diy Habitus of Australian Hip HopSite and Sound: Understanding Independent Music Scenes (2004)Site and Sound: Understanding…Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper (2003)Phat Beats, Dope Rhymes: Hip …An Invitation to Reflexive Sociology. (1993)An Invitation to Reflexive So…Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same (1991)Sounds Authentic: Black Music…In Other Words (1990)In Other WordsAfropolitan Projects: Music, Representation, and the Politics of Belonging in Australia (2017)Afropolitan Projects: Music, …Visualizing place, representing age in hip-hop: converging themes in Scarface's ‘My Block’ (2014)Visualizing place, representi…Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience (2014)Polynesian Youth Hip Hop: Int…Are We There Yet? (2014)Are We There Yet?Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, francophone West Africa (2011)Reconsidering cultural entrep…"Rapper on a Rampage": Theorising the Political Significance of Aboriginal Australian Hip Hop and Reggae (2009)"Rapper on a Rampage": Theori…Case Study Research: Design and Methods (1984)Economic Action and Social Structure: The Problem of Embeddedness (1985)Communities of practice learning, meaning, and identity (1999)Performing the self : rappers, urban space and identity in Dar es Salaam (2014)Questions of Cultural Identity (1997)The Location of Culture (2012)The Cultural Politics of Emotion (2013)Rap, racism, and visibility: black music as a mediator of young Israeli-Ethiopians’ experience of being ‘Black’ in a ‘White’ society (2018)Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR (2022)Outline of a Theory of Practice. (1980)Modernity at Large: Cultural Dimensions of Globalization. (1998)Distinction: A Social Critique of the Judgement of Taste* (2018)“Be Current, or You Become the Old Man”: Crossing the Generational Divide in Hip-Hop Education (2020)Growing up in hip hop: The expression of self in hypermasculine cultures (2020)Noises in the Blood (1995)The Human Condition (1998)There Ain't No Black in the Union Jack (2013)Sambo: The Rise and Demise of an American Jester (1988)Embodying Difference: Issues in Dance and Cultural Studies (1993)Diasporas (1994)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)The Black Atlantic: Modernity and Double Consciousness (1994)Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language (2008)The Journal of Pan African Studies (2014)Technology Adoption and Use in the Aftermath of Hurricane Katrina in New Orleans (2010)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)What Is Agency? (1998)Social Capital: Prospects for a New Concept (2002)The Benefits of Facebook “Friends:” Social Capital and College Students’ Use of Online Social Network Sites (2007)Technomad: Global Raving Countercultures (2009)Global Ill-Literacies (2011)Translocal style communities (2015)Deliberative Policy Analysis (2003)Discursive Institutionalism: The Explanatory Power of Ideas and Discourse (2008)Taking ideas and discourse seriously: explaining change through discursive institutionalism as the fourth ‘new institutionalism’ (2010)
this work references cited by second hop

References

  • 1993An Invitation to Reflexive Sociology.9,324 cited
  • 1990In Other Words3,123 cited
  • 1991Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same258 cited
  • 2003Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper116 cited
  • 2004Site and Sound: Understanding Independent Music Scenes70 cited

Cited by

  • 2014Visualizing place, representing age in hip-hop: converging themes in Scarface's ‘My Block’13 cited
  • 2011Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, francophone West Africa11 cited
  • 2014Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience9 cited
  • 2017Afropolitan Projects: Music, Representation, and the Politics of Belonging in Australia5 cited
  • 2009"Rapper on a Rampage": Theorising the Political Significance of Aboriginal Australian Hip Hop and Reggae5 cited
  • 2014Are We There Yet?3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work