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Cited by

• 2012Profaning the sacred in leadership studies: a reading of Murakami’s A Wild Sheep Chase47 cited
• 2009Race, Faces, and False Fronts: Shakespearean Signifying in the Colored American Magazine34 cited
• 1995Hobbes and the Katéchon : The Secularization of Sacrificial Christianity31 cited
• 2010Pulcinella, or the metaphysics of the nulla: in between politics and theatre20 cited
• 2018Inclusive Fashion—an Oxymoron—or a Possibility for Sustainable Fashion?19 cited
• 2006Whence avidity? Hume’s psychology and the origins of justice18 cited
• 2008Shylock's Sacred Nation15 cited
• 2003Hamlet's "first corse": Repetition, Trauma, and the Displacement of Redemptive Typology14 cited
• 2009“A pattern, precedent, and lively warrant”: Emulation, Rhetoric, and Cruel Propriety in Titus Andronicus13 cited
• 2010Mercifixion in The Merchant of Venice: The Riches of Embarrassment6 cited
• 2008Siring the Grandchild in The Winter’s Tale and The Fawn6 cited
• 2018Mimesis, Clothed in Violence4 cited
• 2014True Interest and the Affections: The Dangers of Lawful Lending in The Merchant of Venice4 cited
• 2013Heralding the Commonplace: Authorship, Voice, and the Commonplace in Shakespeare's Rape of Lucrece