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Makam, Âvâze, Şûbe ve Terkib: Osmanlı Musiki Nazariyatında Pisagorcu "Kürelerin Uyumu / Musikisi" Anlayışının Temsili
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References

  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 2016Ancient Greek Music: A New Technical History166 cited
  • 1992Greek Musical Writings: II: Harmonic and Acoustic Theory118 cited
  • 1995Philosophies of Music in Medieval Islam113 cited
  • 2014Giordano Bruno and the Hermetic Tradition95 cited
  • 1979Harvard Concise Dictionary of Music75 cited
  • 2010The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History69 cited
  • 1994The Harmony of the Spheres: A Sourcebook of the Pythagorean Tradition in Music60 cited
  • 1995Music and Musicians in Ancient Greece52 cited
  • 1973The Occult Sciences in the Renaissance: A Study in Intellectual Patterns49 cited
  • 1980The Modal System of Arab and Persian Music A. D. 1250-130048 cited
  • 1995The Dimension of Music in Islamic and Jewish Culture43 cited
  • 2002Music in Ancient Greece and Rome42 cited
  • 1996Musica enchiriadis and Scolica enchiriadis22 cited

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  • 2018How was the traditional makam theory westernized for the sake of modernization?

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7 cited
  • 2020TÜRK MÜZİĞİNDE YEKTA, EZGİ VE AREL TEORİLERİNİN POZİTİVİST İNŞASI: KISA FAKAT ELEŞTİREL BİR TARİHÇE4 cited
  • 2022Salahaddin Safedî’nin Risale fi Ilmi’l Mûsikâ ile müellifi meçhul eş-Şeceretu Zati'l-İkmâm el-Haviye li-Usuli’l-Engam isimli eserlerin şekil ve içerik bağlamında karşılaştırılması3 cited