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“A Line with Variable Direction, which Traces No Contour, and Delimits No Form”
6 references·0 citing·18 second hop
“A Line with Variable Direction, which Traces No Contour, and Delimits No Form” (2011)“A Line with Variable Direction, which Tr…Francis Bacon: The Logic of Sensation (2017)Francis Bacon: The Logic of S…Topological Pathways of Post-Minimalism (2006)Topological Pathways of Post-…Diagrams: interactive instruments in operation (2005)Diagrams: interactive instrum…Machine in the Studio: Constructing the Postwar American Artist (1997)Machine in the Studio: Constr…Foucault (1986)FoucaultA Thousand Plateaus (1980)A Thousand PlateausThe Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision (1994)Network Fever (2001)Protocol, Control, and Networks (2004)Feedback in the Amazon (2008)Editor's Introduction: What Bound the Double Bind? (2017)The Work of Art in the Age of Deindustrialization (2017)A single day's walking: narrating self and landscape on the South West Coast Path (2005)Human geography without scale (2005)Death of the PostHuman: Essays on Extinction, Volume One (2013)Romantic Automatism: Art, Technology, and Collaborative Labor in Cold War America (2008)Niki de Saint Phalle Playing with the Feminine in the Male Factory: HON – en katedral (2018)Tasting the Difference: A Relational-Epistemic Approach to Aesthetic Collaboration in Haute Cuisine (2020)Discourse Analysis as Theory and Method (2002)Networks of outrage and hope: social movements in the internet age (2013)The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms (2016)Otherness and the Actor Network (1994)Foucault on Freedom (2005)Children’s Agency and Educational Norms (2006)
this work references cited by second hop

References

  • 1980A Thousand Plateaus2,651 cited
  • 1986Foucault905 cited
  • 2017Francis Bacon: The Logic of Sensation833 cited
  • 1997Machine in the Studio: Constructing the Postwar American Artist90 cited
  • 2005Diagrams: interactive instruments in operation18 cited
  • 2006Topological Pathways of Post-Minimalism17 cited

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