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Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria
16 references·0 citing·40 second hop
Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria (2015)Not Singing in Tune: The Hor 29 Novembar …Uses of Heritage (2014)Uses of HeritageUnauthorising popular music heritage: outline of a critical framework (2013)Unauthorising popular music h…Popular music as cultural heritage: scoping out the field of practice (2013)Popular music as cultural her…Notes towards a typology of the DIY institution: Identifying do-it-yourself places of popular music preservation (2013)Notes towards a typology of t…Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture (2012)Musical memory, heritage and …Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions (2011)Archival Activism: Independen…The Discursive Construction of National Identity (2009)The Discursive Construction o…“Heritage rock”: Rock music, representation and heritage discourse (2009)“Heritage rock”: Rock music, …Micro-independent record labels in the UK (2007)Micro-independent record labe…Theories of social remembering (2003)Theories of social rememberingTo have a culture of our own: on Israeliness and its variants (2000)To have a culture of our own:…Un‐settling ‘the heritage’, re‐imagining the post‐nationWhose heritage? (1999)Un‐settling ‘the heritage’, r…We gotta get out of this place: popular conservatism and postmodern culture (1992)We gotta get out of this plac…Between Memory and History: Les Lieux de Memoire (1989)Between Memory and History: L…Between Memory and History: Les Lieux de Mémoire (1989)Between Memory and History: L…The heritage industry: Britain in a climate of decline (1987)The heritage industry: Britai…Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Archives, records, and power: The making of modern memory (2002)The recognition and misrecognition of community heritage (2010)Affecting relations: introducing affect theory to archival discourse (2015)The Oxford Handbook of Community Music (2018)Urgent Archives (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Mapping the Language of Racism: Discourse and the Legitimation of Exploitation (1993)Representation: Cultural representations and signifying practices. (1997)Discourse Analysis as Theory and Method (2002)The Handbook of Journalism Studies (2009)Critical Discourse Analysis (2015)Refashioning Futures (1999)Refashioning Futures: Criticism after Postcoloniality (1999)Creative Heritage: Palestinian Heritage NGOs and Defiant Arts of Government (2010)Nation, Race, and Affect: Senses and Sensibilities at National Heritage Sites (2010)Heritage Interpretation (2018)The Social Construction of Reality (1967)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Music Genres and Corporate Cultures (2010)New Economy of Fandom (2014)Independent music production: how individuality, technology and creative entrepreneurship influence contemporary music industry practices (2016)Inside the whale (and how to get out of there): Moving on from two decades of creative industries research (2017)Heritage Pasts and Heritage Presents: temporality, meaning and the scope of heritage studies (2001)Heritage diplomacy (2015)Digitisation, digital interaction and social media: embedded barriers to democratic heritage (2016)Experiencing the Digital World: The Cultural Value of Digital Engagement with Heritage (2016)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)Management and organizational history: Prospects (2006)Collective Memory Meets Organizational Identity: Remembering to Forget in a Firm's Rhetorical History (2012)Handbook of Interview Research (2001)Trauma and the Memory of Politics (2003)The Anthropology of the Future (2019)3. Constructing National Interests (1996)Theoretical and philosophical implications of postmodern debates: some challenges to modern marketing (2006)Normative theories of the media: journalism in democratic societies (2009)Cast in Stone: Monuments, Geography, and Nationalism (1995)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)Cultural tourism: A review of recent research and trends (2018)
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References

  • 1989Between Memory and History: Les Lieux de Mémoire5,156 cited
  • 2009The Discursive Construction of National Identity2,241 cited
  • 1989Between Memory and History: Les Lieux de Memoire1,957 cited
  • 1987The heritage industry: Britain in a climate of decline1,103 cited
  • 2003Theories of social remembering1,089 cited
  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 1999Un‐settling ‘the heritage’, re‐imagining the post‐nationWhose heritage?263 cited
  • 2014Uses of Heritage218 cited
  • 2011Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions190 cited
  • 2007Micro-independent record labels in the UK137 cited
  • 2009“Heritage rock”: Rock music, representation and heritage discourse134 cited
  • 2013Unauthorising popular music heritage: outline of a critical framework111 cited
  • 2013Popular music as cultural heritage: scoping out the field of practice92 cited
  • 2013Notes towards a typology of the DIY institution: Identifying do-it-yourself places of popular music preservation62 cited
  • 2012Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture

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57 cited
  • 2000To have a culture of our own: on Israeliness and its variants49 cited
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