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Living in two worlds: the manipulation of power relations, identity and ideology by the last San rock artist in Tsolo, Transkei, South Africa
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Living in two worlds: the manipulation of power relations, identity and ideology by the last San rock artist in Tsolo, Transkei, South Africa (1994)Living in two worlds: the manipulation of…Image-Makers (2019)Image-MakersMaking history at Sehonghong: Soai and the last Bushman occupants of his shelter (2010)Making history at Sehonghong:…Farming Communities of the Second Millennium: Internal Frontiers, Identity, Continuity and Change (2009)Farming Communities of the Se…Excavating the 'waterpits in the mountain': the archaeology of Shashe-Limpopo Confluence Area rain-hill rock tanks (2009)Excavating the 'waterpits in …Contested Histories: A Critique of Rock Art in the Drakensberg Mountains (2009)Contested Histories: A Critiq…The tourist viewer, the Bushmen and the Zulu : imaging and (re)invention of identities through contemporary visual cultural productions. (2008)The tourist viewer, the Bushm…Seeking shelter: Later Stone Age hunters, gatherers and fishers of Olieboomspoort in the western Waterberg, south of the Limpopo (2008)Seeking shelter: Later Stone …Before farming? Cattle kept and painted by the southeastern San (2007)Before farming? Cattle kept a…Sharing symbols: A correspondence in the ritual dress of Black farmers and the southeastern San (2005)Sharing symbols: A correspond…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)The Later Stone Age of Southernmost Africa (1985)Reading art, writing history: Rock art and social change in Southern Africa (1994)Genesis of Symbolic Thought (2012)Icons and archives: the Orpen lithograph in the context of 19th-century depictions of rock paintings (2014)THE ‘INTERIOR WORLD’ OF THE NINETEENTH-CENTURY MALOTI-DRAKENSBERG MOUNTAINS (2017)Culture in Action: Symbols and Strategies (1986)Ritual and Religion in the Making of Humanity (1999)The Location of Culture (2012)TK2 pottery: the shift to Mapungubwe (2012)‘Everything has a history’ (2021)An Archaeological Contribution to the Kalahari Debate from the Middle Limpopo Valley, Southern Africa (2021)The Archaeo-Ethnology of Hunter-Gatherers or the Tyranny of the Ethnographic Record in Archaeology (1978)Foragers, Genuine or Spurious?: Situating the Kalahari San in History [and Comments and Reply] (1990)Paradigmatic History of San-Speaking Peoples and Current Attempts at Revision [and Comments and Replies] (1990)A Performance-Theory Revisit of the Conflict Scene at the Ventershoek (2927CA1) Rock Art Site (2025)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Land filled with flies: a political economy of the Kalahari (1990)The mind in the cave: consciousness and the origins of art (2003)La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg (2023)Unmasking the forgotten foragers of the Mapungubwe landscape (2024)The design and implementation of a new travelling museum initiative to bring heritage to people in Southern Africa (2025)The Presentation of Self in Everyday Life. (1956)Discipline and Punish: The Birth of the Prison. (1978)The Human Condition (1998)A performative encounter with artist Silikat van Wyk in the Kalahari (2012)Coping with Risk: Reciprocity Among the Basarwa of Northern Botswana (1985)The African Frontier: The Reproduction of Traditional African Societies (1987)The African Frontier. The Reproduction of Traditional African Societies (1988)Archaeology of Southern Africa (2015)Breaking Ground: Hoes in Precolonial South Africa—Typology, Medium of Exchange and Symbolic Value (2017)The early history of clicks in Nguni (2022)Shamanism: Archaic Techniques of Ecstasy (1951)The Making of the Maori: Culture Invention and Its Logic (1989)Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples (1993)MT Moorosi's past and present : interpreting San rock art at MTM 1 site in the Quthing District of Lesotho (2009)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)The Forest of Symbols: Aspects of Ndembu Ritual (1970)The Perception of the Environment (2002)Runaway slaves, rock art and resistance in the Cape Colony, South Africa (2020)The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa (2021)‘Things of the outside teach me’: identity transfer and contextual transformation as expressions of persistent, syncretic cosmology in traditional spiritual and medicinal practice in the south-central Maloti-Drakensberg, southern Africa (2022)The temporality of the landscape (1993)A Phenomenology of Landscape: Places, Paths and Monuments (1994)The foraging spectrum: diversity in hunter-gatherer lifeways (1996)The flaked stone artefact assemblages from Likoaeng: a late Holocene sequence in the Lesotho Highlands and its regional context (2009)The place beyond the trees: renewed excavations of the Middle Stone Age deposits at Olieboomspoort in the Waterberg Mountains of the South African Savanna Biome (2021)
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Cited by

  • 2010Making history at Sehonghong: Soai and the last Bushman occupants of his shelter23 cited
  • 2008The tourist viewer, the Bushmen and the Zulu : imaging and (re)invention of identities through contemporary visual cultural productions.22 cited
  • 2008Seeking shelter: Later Stone Age hunters, gatherers and fishers of Olieboomspoort in the western Waterberg, south of the Limpopo21 cited
  • 2009Farming Communities of the Second Millennium: Internal Frontiers, Identity, Continuity and Change20 cited
  • 2019Image-Makers15 cited
  • 2005Sharing symbols: A correspondence in the ritual dress of Black farmers and the southeastern San13 cited
  • 2009Excavating the 'waterpits in the mountain': the archaeology of Shashe-Limpopo Confluence Area rain-hill rock tanks12 cited
  • 2007Before farming? Cattle kept and painted by the southeastern San7 cited
  • 2009Contested Histories: A Critique of Rock Art in the Drakensberg Mountains7 cited

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