SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Structural Interaction of Poetry and Music Components in Songs by Sergei Rachmaninoff
15 references·0 citing·30 second hop
Structural Interaction of Poetry and Music Components in Songs by Sergei Rachmaninoff (2015)Structural Interaction of Poetry and Musi…Die Technik des Dramas (2019)Die Technik des DramasRachmaninoff’s complete songs: a companion with texts and translations (2015)Rachmaninoff’s complete songs…Rachmaninoff's complete songs: a companion with texts and translations (2014)Rachmaninoff's complete songs…Rachmaninoff's Complete Songs (2014)Rachmaninoff's Complete SongsSinging in Russian: A Guide to Language and Performance (2012)Singing in Russian: A Guide t…The Oxford Companion to Music (2011)The Oxford Companion to MusicThe Oxford Companion to Music (2002)The Oxford Companion to MusicMusicology And Sister Disciplines Past,Present,Future (2000)Musicology And Sister Discipl…Musicology and sister disciplines : past, present, future : proceedings of the 16th International Congress of the International Musicological Society, London, 1997 (2000)Musicology and sister discipl…A microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major (1998)A microcosm of musical expres…The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)The magical number seven, plu…Linguistic prosody and musical meter in song*1 (1992)Linguistic prosody and musica…The Oxford Companion to Classical Literature (1990)The Oxford Companion to Class…The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The magical number seven, plu…The Oxford Companion to Classical Literature (1938)The Oxford Companion to Class…The Sound Pattern of English (1968)THE PROSODIC HIERARCHY IN METER (1989)Language Acquisition: The State of the Art (2009)Music-Language Correlations and the “Scotch Snap” (2011)Stress-meter alignment in French vocal music (2013)Prosodic Structure as a Parallel to Musical Structure (2015)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Musical Performance as Interpretation (1995)Anatomy of a Performance: Sources of Musical Expression (1996)Music Performance Research at the Millennium (2003)The elastic phrase: modeling the dynamics of boundary-adjacent lengthening (2003)Giftedness and evidence for reproducibly superior performance: an account based on the expert performance framework (2007)EXPERIMENTAL PSYCHOLOGY (1940)Working Memory (1974)Generalising About Ovid (1987)Seneca in Early Elizabethan England (2006)Science Writing in Greco-Roman Antiquity (2017)Mobile drama in an instrumented museum: inducing group conversation via coordinated narratives (2012)Experiments with Mobile Drama in an Instrumented Museum for Inducing Conversation in Small Groups (2014)Safeguarding and Accessing Drama as Intangible Cultural Heritage (2016)Affective Resonance: On the Uses and Abuses of Music In and For Philosophy (2012)Key Components of Musical Discourse Analysis (2013)Music and Latency in Teju Cole’s Open City: Presences of the Past (2019)A scaling method for priorities in hierarchical structures (1977)How to make a decision: The analytic hierarchy process (1990)The theory of planned behavior (1991)Mozart's Teaching of Intonation (1977)Metaphor in Language, Cognition, and Communication (2013)How the Show Goes On: Using the Aesthetic Experience of Collective Performance to Adapt while Coordinating (2020)Polyphony in Medieval Paris (2018)
this work references cited by second hop

References

  • 1956The magical number seven, plus or minus two: Some limits on our capacity for processing information.17,773 cited
  • 1994The magical number seven, plus or minus two: Some limits on our capacity for processing information.17,161 cited
  • 1998A microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major151 cited
  • 1938The Oxford Companion to Classical Literature130 cited
  • 1992Linguistic prosody and musical meter in song*184 cited
  • 2011The Oxford Companion to Music63 cited
  • 2019Die Technik des Dramas63 cited
  • 1990The Oxford Companion to Classical Literature48 cited
  • 2002The Oxford Companion to Music38 cited
  • 2000Musicology and sister disciplines : past, present, future : proceedings of the 16th International Congress of the International Musicological Society, London, 199716 cited
  • 2000Musicology And Sister Disciplines Past,Present,Future8 cited
  • 2012Singing in Russian: A Guide to Language and Performance6 cited
  • 2015Rachmaninoff’s complete songs: a companion with texts and translations4 cited
  • 2014Rachmaninoff's complete songs: a companion with texts and translations4 cited
  • 2014Rachmaninoff's Complete Songs

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited

Cited by

No citing works inside the corpus for this window.