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Online coupling of high‐performance liquid chromatography with surface‐enhanced Raman spectroscopy for the identification of historical dyes
16 references·5 citing·30 second hop
Online coupling of high‐performance liquid chromatography with surface‐enhanced Raman spectroscopy for the identification of historical dyes (2016)Online coupling of high‐performance liqui…TLC‐SERS study of Syrian rue (Peganum harmala) and its main alkaloid constituents (2012)TLC‐SERS study of Syrian rue …Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering (2012)Sample Treatment Consideratio…Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies (2011)Revealing the invisible: usin…Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Historical organic dyes: a su…Novel methodology for the extraction and identification of natural dyestuffs in historical textiles by HPLC–UV–Vis–ESI MS. Case study: chasubles from the Wawel Cathedral collection (2010)Novel methodology for the ext…Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of Organic Col…Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Microanalysis of organic pigm…Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis (2009)Ad-hoc Surface-Enhanced Raman…Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Micro‐Raman spectroscopy (MRS…HPLC‐MS of anthraquinoids, flavonoids, and their degradation products in analysis of natural dyes in archeological objects (2007)HPLC‐MS of anthraquinoids, fl…High-performance liquid chromatography and non-destructive three-dimensional fluorescence analysis of early synthetic dyes (2007)High-performance liquid chrom…Colour fading in textiles: A model study on the decomposition of natural dyes (2006)Colour fading in textiles: A …Blue natural organic dyestuffs—from textile dyeing to mural painting. Separation and characterization of coloring matters present in elderberry, logwood and indigo (2006)Blue natural organic dyestuff…An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)An Improved Dye and Lake Pigm…Dye Analysis of Pre-Columbian Peruvian Textiles With High-Performance Liquid Chromatography and Diode-Array Detection (1992)Dye Analysis of Pre-Columbian…High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)High Performance Liquid Chrom…Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future (2024)Uncovering Art’s Vanishing Hu…A courtly brocade belt belonging to Qajar period (1789–1925), Iran (2023)A courtly brocade belt belong…Swab-based minimally invasive analysis of synthetic organic dyes using flexible paper-based SERS substrates: A case study of Chinese New Year paintings (2022)Swab-based minimally invasive…A SERS and HPLC study of traditional dyes from native Chinese plants (2018)A SERS and HPLC study of trad…How the extraction method could be crucial in the characterization of natural dyes from dyed yarns and lake pigments: The case of American and Armenian cochineal dyes, extracted through the new ammonia-EDTA method (2017)How the extraction method cou…The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)The natural constituents of historical textile dyes (2004)Comparison of extraction methods for the analysis of natural dyes in historical textiles by high-performance liquid chromatography (2009)Extracting natural dyes from wool—an evaluation of extraction methods (2011)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)National Gallery Technical Bulletin (1979)Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection (2003)Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs (2005)Painting Materials: A Short Encyclopedia (2011)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigment Compendium: A Dictionary of Historical Pigments (2007)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Analytical chemistry in the field of cultural heritage (2015)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC (2012)A Study in Mauve: Unveiling Perkin's Dye in Historic Samples (2008)HPLC–DAD–MS analysis of dyes identified in textiles from Mount Athos (2011)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)SERS detection of red organic dyes in Ag‐agar gel (2012)A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS) (2014)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)
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References

  • 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy325 cited
  • 1985High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles255 cited
  • 2009Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering196 cited
  • 2009Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis171 cited
  • 2006Colour fading in textiles: A model study on the decomposition of natural dyes150 cited
  • 1992Dye Analysis of Pre-Columbian Peruvian Textiles With High-Performance Liquid Chromatography and Diode-Array Detection130 cited
  • 2012Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering121 cited
  • 2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
  • 1996An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector108 cited
  • 2007High-performance liquid chromatography and non-destructive three-dimensional fluorescence analysis of early synthetic dyes106 cited
  • 2008Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments104 cited
  • 2011Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies

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89 cited
  • 2007HPLC‐MS of anthraquinoids, flavonoids, and their degradation products in analysis of natural dyes in archeological objects79 cited
  • 2012TLC‐SERS study of Syrian rue (Peganum harmala) and its main alkaloid constituents78 cited
  • 2010Novel methodology for the extraction and identification of natural dyestuffs in historical textiles by HPLC–UV–Vis–ESI MS. Case study: chasubles from the Wawel Cathedral collection72 cited
  • 2006Blue natural organic dyestuffs—from textile dyeing to mural painting. Separation and characterization of coloring matters present in elderberry, logwood and indigo65 cited
  • Cited by

    • 2017How the extraction method could be crucial in the characterization of natural dyes from dyed yarns and lake pigments: The case of American and Armenian cochineal dyes, extracted through the new ammonia-EDTA method28 cited
    • 2018A SERS and HPLC study of traditional dyes from native Chinese plants23 cited
    • 2024Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future11 cited
    • 2022Swab-based minimally invasive analysis of synthetic organic dyes using flexible paper-based SERS substrates: A case study of Chinese New Year paintings10 cited
    • 2023A courtly brocade belt belonging to Qajar period (1789–1925), Iran9 cited