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Cited by

• 2007From Tavern to Pie Shop: The Raw, the Cooked, and the Rotten in Fragment 1 of Chaucer'sCanterbury Tales29 cited
• 1993Luckless, Witless, and Filthy-Footed: A Sociocultural Study and Publishing History Analysis of "The Lazy Boy"17 cited
• 1990Medieval Romance and Feminine Difference in The Knight’s Tale11 cited
• 2001Psychoanalytic Politics: Chaucer and Two Peasants10 cited
• 2004Vision, Logic, and the Comic Production of Reality in the Merchant's Tale and Two French Fabliaux8 cited
• 2011Disfiguring Gender: Masculine Desire in the Old French Fabliau7 cited
• 2003Rough Love: Notes Toward an Erotics of the Canterbury Tales6 cited
• 2005No Joke: Transcendent Laughter in the Teseida and the Miller's Tale5 cited
• 2005Reading Chaucer's Nun's Priest's Tale: Mixed genres and multi-layered worlds of illusion5 cited
• 2021Detachable Penises and Holes in Knowledge: Reading Exeter Riddles 44 and 62 Alongside Le Fevre de Creil [ The Blacksmith of Creil ] and Jean Bodel’s Le Sohait des Vez [ The Dream of Cocks ]3 cited
• 2008Pilgrims and Prostitutes: Costume and Identity Construction in Twelfth-Century Liturgical Drama3 cited
• 2001Sagesse and Misogyny in the fabliau La dame escoillee3 cited
• 2009“Thou Art Inexcusable”: Deflected Disgrace in the Old French Fabliaux3 cited