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Arte “Esquemática” de ar livre na bacia do Ave (Portugal, NO Ibérico): espacialidade, contexto, iconografia e cronologia
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Arte “Esquemática” de ar livre na bacia do Ave (Portugal, NO Ibérico): espacialidade, contexto, iconografia e cronologia (2015)Arte “Esquemática” de ar livre na bacia d…The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)The Perception of the Environ…Image and Audience: Rethinking Prehistoric Art (2010)Image and Audience: Rethinkin…Image and Audience: Rethinking Prehistoric Art (2009)Image and Audience: Rethinkin…The Perception of the Environment (2002)The Perception of the Environ…Access, Style and Imagery: The Audience for Prehistoric Rock Art in Atlantic Spain and Portugal, 4000–2000 BC (2002)Access, Style and Imagery: Th…Rock Art and the Prehistory of Atlantic Europe: Signing the Land (1998)Rock Art and the Prehistory o…Art and Agency An Anthropological Theory (1998)Art and Agency An Anthropolog…Arte rupestre do norte de Portugal : uma perspectiva (1983)Arte rupestre do norte de Por…THE POWER OF IMAGES (1989)The Technology of Enchantment and the Enchantment of Technology (1992)Destination Culture: Tourism, Museums, and Heritage (1999)Semiotics and the social analysis of material things (2003)Handbook of Technological Pedagogical Content Knowledge (TPACK) for Educators (2016)Reconceptualising Agency and Childhood (2016)Mind and Nature: A Necessary Unity (1979)Mind and nature : a necessary unity (1988)Editorial: Mobilities, Immobilities and Moorings (2006)Decolonizing posthumanist geographies (2013)Multispecies Studies (2016)Spatial Structures and Symbolic Systems in Irish and British Passage Tombs: the Organization of Architectural Elements, Parietal Carved Signs and Funerary Deposits (2010)Iconographic method in New World prehistory (2013)Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges (2014)The use of cave art through graphic space, visibility and cave transit: A new methodology (2018)Unraveling rock art palimpsests through superimpositions: The definition of painting episodes in Los Toldos (southern Patagonia) as a baseline for chronology (2020)Imaginary Vessels in the Late Bronze Age of Gotland and South Scandinavia: Ship Settings, Rock Carvings and Decorated Metalwork (2021)Rock art and socio‐demography in northeastern Australian prehistory (1998)Archaeologies of Memory: An Introduction (2003)Rock‐art and the transition to farming. The Neolithic landscape of the central Mediterranean coast of Spain (2004)Rock art and social life (2007)Rock art as an archaeological and social indicator: The neolithisation of the Iberian Peninsula (2007)Domesticating the land: the first agricultural communities in Portugal (2000)Gravuras rupestres do noroeste peninsular: a Chã da Rapada (2006)Tunnel Visions: a Decorated Cave at El Pedroso, Castile, in the Light of Fieldwork (2013)Cultural Constraints on Grammar and Cognition in Pirahã (2005)INDIGENOUS COSMOPOLITICS IN THE ANDES: Conceptual Reflections beyond “Politics” (2010)
this work references cited by second hop

References

  • 2002The Perception of the Environment4,907 cited
  • 2012The Perception of the Environment: Essays on Livelihood, Dwelling and Skill4,059 cited
  • 1998Art and Agency An Anthropological Theory1,114 cited
  • 1998Rock Art and the Prehistory of Atlantic Europe: Signing the Land117 cited
  • 2009Image and Audience: Rethinking Prehistoric Art62 cited
  • 2010Image and Audience: Rethinking Prehistoric Art36 cited
  • 2002Access, Style and Imagery: The Audience for Prehistoric Rock Art in Atlantic Spain and Portugal, 4000–2000 BC24 cited
  • 1983Arte rupestre do norte de Portugal : uma perspectiva11 cited

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