How (Not) to Write Broadcast Plays: Pinter and the BBC

Abstract

This article situates Harold Pinter’s radio play A Slight Ache alongside the radio-playwriting protocols of its first producer, the British Broadcasting Corporation. In guidebooks for radio playwrights, the BBC’s Drama Department promoted a clear and coherent on-air style. Pinter challenged this standard by building his play around a silent character and thus refusing to let his audience fall back on familiar methods of listening. Having written a radio play that gestured toward the theatre, Pinter did the opposite in A Slight Ache’s stage adaptation, concealing visual elements as if glancing back at the airwaves. Both versions moved toward transcending the realism of The Birthday Party, whose blackout scene had already experimented with restricting stage drama to sound alone. The influence on Pinter’s later stage style can be seen as early as Aston’s monologue in The Caretaker, where complex lighting effects briefly transform a realistic setting into the “mindscape” of a radio play.

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