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Mining for Color: New Blues, Yellows, and Translucent Paint

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References

1974Mappae Clavicula: A Little Key to the World of Medieval Techniques231 cited
2006Experimental confirmation by Raman spectroscopy of a PbSnSb triple oxide yellow pigment in sixteenth‐century Italian pottery111 cited
2006THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE*107 cited
2005EARLY PRODUCTION RECIPES FOR LEAD ANTIMONATE YELLOW IN ITALIAN ART*65 cited
2009Materials and technological evolution of ancient cobalt-blue-decorated ceramics: Pigments and work patterns in tin-glazed objects from Aragon (Spain) from the 15th to the 18th century AD47 cited
2011Modified Naples yellow in Renaissance majolica: study of Pb–Sb–Zn and Pb–Sb–Fe ternary pyroantimonates by X-ray absorption spectroscopy45 cited
1984A study of Richard Symonds : his Italian notebooks and their relevance to seventeenth century-painting techniques11 cited

Cited by

2020Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry28 cited
2019The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses24 cited
2021Looking Back, Looking Forward: Materials Science in Art, Archaeology, and Art Conservation16 cited
2022Use of standard analytical tools to detect small amounts of smalt in the presence of ultramarine as observed in 15th-century Venetian illuminated manuscripts11 cited

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