A STUDY ON THE LANDSCAPE CLASSIFICATION IN THE UKIYOE PAINTINGS OF HIROSHIGE

Takeru Sakai · Atsushi Deguchi · Satoshi Hagishima · Tatsuyuki Sugawara

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Architecture and Art History Studies Urban Design and Spatial Analysis Landscape and Cultural Studies

Abstract

In order to obtain a guide to landscape planning, this paper examines the characteristic of the elements composing UKIYOE landscape paintings mostly drawn by HIROSHIGE in the 19C Japan, of which a perspective drawing and a good proportion make a quantitative analysis possible. Specifically, induction of super-short-distance landscape, elements of each distance landscape and typical landscape of UKIYOE paintings are discussed mainly by quantification theory. The results are as frollows; 1) Super-short-distance landscape is induced to the short-distance landscape, medium-distance landscape and long-distance landscape so far in use. 2) UKIYOE landscape is classified by quantification theory to typical landscapes: (1)The landscape of plain including a river. (2)The landscape of plain including streets. (3)The landscape of streets in the mountains. (4)The landscape of the seashore. (5)The landscape overlooking a lake. (6)The landscape of a dry riverbed. (7)The landscape on the street. (8)The landscape of streets and buildings.

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