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From The Study of Aboriginal Art to the Archaeology of Prehistoric Pictures
5 references·2 citing·28 second hop
From The Study of Aboriginal Art to the Archaeology of Prehistoric Pictures (1983)From The Study of Aboriginal Art to the A…Science, Theory, and Australian Prehistoric Art (2010)Science, Theory, and Australi…Archaeology of the Central Queensland Highlands: The Stone Component (1981)Archaeology of the Central Qu…TIME, SPACE AND PREHISTORIC ART: A PRINCIPAL COMPONENTS ANALYSIS (1980)TIME, SPACE AND PREHISTORIC A…Stone Tools As Cultural Markers: Change, Evolution and Complexity (1978)Stone Tools As Cultural Marke…ARCHAEOLOGY AND PHYSICAL ANTHROPOLOGY IN OCEANIA (1966)ARCHAEOLOGY AND PHYSICAL ANTH…The Sydney School and the genesis of contemporary Australian rock art research (2022)The Sydney School and the gen…Looking after bulurru: Protecting the scientific and cultural values of an Aboriginal rock art complex in northern Queensland (2019)Looking after bulurru: Protec…Pleistocene human remains from Australia: A living site and human cremation from Lake Mungo, western New South Wales (1970)Aboriginal Man and Environment in Australia. (1972)Dimensional Analysis of Behavior and Site Structure: Learning from an Eskimo Hunting Stand (1978)Edge-ground axes in Pleistocene Greater Australia: new evidence from S.E. Cape York Peninsula (1989)Technological responses to risk in Holocene Australia (1994)Early Holocene backed artefacts from Australia (1998)Modern factor analysis (1960)Applied factor analysis (1970)Factor Analysis as a Statistical Method. (1972)Intensification and Australian Prehistory (1985)Constraints on the Development of Enduring Inequalities in Late Holocene Australia (2006)Rock Art (2013)Sacred Sites, Sacred Places (2013)Burra Charter: The Australia ICOMOS Charter for Places of Cultural Significance (1999) (2014)The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)Our Heritage - Your Playground (1983)Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings (1991)Deep-Time Images and the Challenges of Globalization (2024)Tracking Change in Rock Art Vocabularies and Styles at Marapikurrinya (Port Hedland, Northwest Australia) (2025)Geographic and Temporal Variation in Maori Rock Drawings in Two Regions of Southern New Zealand (1985)Creating Sydney‐Hawkesbury rock engravings: A Mangrove Mountain engraving tool (2017)Women in Australian rock art research: The legacies of Andrée Rosenfeld and Patricia Vinnicombe (2022)Getting to the point: Evolutionary change in prehistoric weaponry (1998)Towards a theory of modern human origins: Geography, demography, and diversity in recent human evolution (1998)The Austronesians: Historical and Comparative Perspectives (2006)Style and Social Information in Kalahari San Projectile Points (1983)Raw-Material Availability and the Organization of Technology (1994)Demography and Cultural Evolution: How Adaptive Cultural Processes Can Produce Maladaptive Losses—The Tasmanian Case (2004)
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References

  • 1966ARCHAEOLOGY AND PHYSICAL ANTHROPOLOGY IN OCEANIA478 cited
  • 1978Stone Tools As Cultural Markers: Change, Evolution and Complexity329 cited
  • 1981Archaeology of the Central Queensland Highlands: The Stone Component75 cited
  • 1980TIME, SPACE AND PREHISTORIC ART: A PRINCIPAL COMPONENTS ANALYSIS11 cited
  • 2010Science, Theory, and Australian Prehistoric Art6 cited

Cited by

  • 2022The Sydney School and the genesis of contemporary Australian rock art research3 cited
  • 2019Looking after bulurru: Protecting the scientific and cultural values of an Aboriginal rock art complex in northern Queensland2 cited

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