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Inside a Master Drummer's Mind: A Quantitative Theory of Structures in African Music
12 references·0 citing·29 second hop
Inside a Master Drummer's Mind: A Quantitative Theory of Structures in African Music (2006)Inside a Master Drummer's Mind: A Quantit…Principles of Rhythm Integration in African Drumming (1997)Principles of Rhythm Integrat…African Rhythm: A Northern Ewe Perspective (1997)African Rhythm: A Northern Ew…African Rhythm: A Northern Ewe Perspective (1995)African Rhythm: A Northern Ew…Rhythmic design in the support drums of Agbadza (1983)Rhythmic design in the suppor…African Rhythm: A Reassessment (1980)African Rhythm: A ReassessmentA study of the drum language in Adzogbo (1980)A study of the drum language …The "Objective" and Subjective View in Music Transcription (1977)The "Objective" and Subjectiv…Structural Levels of Rhythm and Form in African Music (1975)Structural Levels of Rhythm a…The Significance of the Relationship between Afro-American Music and West African Music (1974)The Significance of the Relat…Standard drum patterns in Nigeria (1971)Standard drum patterns in Nig…Employments of the "standard pattern" in Yoruba music (1960)Employments of the "standard …The role of the drummer in Akan society (1954)The role of the drummer in Ak…The Hocket-Technique in African Music (1962)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Meter and Grouping in African Music: A View from Music Theory (2000)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)African Rhythm and African Sensibility (1982)Hearing, Seeing, and Perceptual Agency (2008)The distance geometry of music (2008)Studies in African Music (1959)African Music in Ghana (1963)Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)Theory and Method in Ethnomusicology (1966)The Reliability of Transcription (1974)Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad (1994)Structural Hearing; Tonal Coherence in Music (1953)Schenker's Conception of Musical Structure (1959)Theory of Suspensions (1972)Inside a master drummer's mind: a quantitative theory ofstructures in African music (2007)Drumming among the Akan and Anlo Ewe of Ghana: an introduction (2009)Metricism in Yorùbá wórò rhythm (2016)Riffs, Repetition, and Theories of Globalization (1999)Circles and Time (2000)The Invention of African Rhythm (1995)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory (1996)At the Crossroads: Rap Music and Its African Nexus (1996)Aspects of the Music/Text Relationship in Rap (2008)The Problem of Meaning in African Music (1962)Beyond Song Texts--The Lingual Fundamentals of African Drum Music (2001)
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References

  • 1974The Significance of the Relationship between Afro-American Music and West African Music198 cited
  • 1980African Rhythm: A Reassessment98 cited
  • 1995African Rhythm: A Northern Ewe Perspective85 cited
  • 1997African Rhythm: A Northern Ewe Perspective61 cited
  • 1997Principles of Rhythm Integration in African Drumming45 cited
  • 1977The "Objective" and Subjective View in Music Transcription42 cited
  • 1960Employments of the "standard pattern" in Yoruba music32 cited
  • 1983Rhythmic design in the support drums of Agbadza28 cited
  • 1954The role of the drummer in Akan society27 cited
  • 1975Structural Levels of Rhythm and Form in African Music19 cited
  • 1980A study of the drum language in Adzogbo13 cited
  • 1971Standard drum patterns in Nigeria7 cited

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