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Reception Theories, Canonic Discourses, and Musical Value
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Reception Theories, Canonic Discourses, and Musical Value (1999)Reception Theories, Canonic Discourses, a…Writing about Popular Music (2019)Writing about Popular MusicStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…Justifying music in the national curriculum: The habit concept and the question of social justice and academic rigour (2018)Justifying music in the natio…No Time for Losers (2008)No Time for Losers»Immer die gleichen Klassiker!« Heavy Metal und der Traditionsstrom (2008)»Immer die gleichen Klassiker…Orality and Literacy (1982)Postmodernism and Education: Different Voices, Different Worlds (1994)Understanding curriculum design in the perceptions and practices of classroom music teachers in the lower secondary school in England (2021)Art Education: Two Decades of Creation, Evaluation and Application of an Interdisciplinary Method of Artistic Literacy (2023)Aspirations and limitations: the state of world music education in secondary schools in multicultural Manchester (2023)The Coding Manual for Qualitative Researchers (2025)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Distinction: A Social Critique of the Judgement of Taste. (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The converged promoter, the calculating professional, and the autonomous critic – the presentation of musical authority on social media (2021)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Die feinen Unterschiede : Kritik der gesellschaftlichen Urteilskraft (1987)Speech Genres and Other Late Essays (1987)Die Erlebnisgesellschaft : Kultursoziologie der Gegenwart (2005)Speech Genres and Other Late Essays (1986)Running with the devil: power, gender, and madness in heavy metal music (1993)Extreme Metal: Music and Culture on the Edge (2006)
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Cited by

  • 2019Writing about Popular Music53 cited
  • 2018Justifying music in the national curriculum: The habit concept and the question of social justice and academic rigour19 cited
  • 2008No Time for Losers6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited
  • 2008»Immer die gleichen Klassiker!« Heavy Metal und der Traditionsstrom2 cited

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