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Divide, conquer, entertain
7 references·0 citing·23 second hop
Divide, conquer, entertain (2011)Divide, conquer, entertainRefugee Theatre: Melodrama and Modernity's Loss (2009)Refugee Theatre: Melodrama an…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…History and Myth in Romanian Consciousness (2003)History and Myth in Romanian …La drole de guerre des sexes du cinema francais (1930-1956) (1997)La drole de guerre des sexes …Habermas and the Public Sphere. (1993)Habermas and the Public Spher…'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985 (1986)'The Classical Hollywood Cine…Film theory and criticism (1979)Film theory and criticismThe Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)Melodrama and modernity: early sensational cinema and its contexts (2001)Illegitimate Theatre in London, 1770-1840 (2004)Migrant melodrama and Elvira Arellano (2012)The melodrama of being a child: NGO representations of poverty (2013)Ethnographic Imagination (2014)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Popular culture and professional identity: Accountants in the movies (1994)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)Danielle Darrieux, French female stardom, and the Occupation (2010)French New Wave Cinema and the Legacy of Male Libertinage (2010)National identities on the move: Transylvanian Hungarian labour migrants in Hungary (2003)The Killing Trap (2005)Is there weak nationalism and is it a useful category? (2015)Spatializing States: Toward an Ethnography of Neoliberal Governmentality (2002)Publics and counterpublics (2003)The Internet, Public Spheres, and Political Communication: Dispersion and Deliberation (2005)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Mixing genres and matching people: a study in innovation and team composition in Hollywood (2007)The Attentional Theory of Cinematic Continuity (2012)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1993Habermas and the Public Sphere.1,710 cited
  • 1986'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985380 cited
  • 1979Film theory and criticism230 cited
  • 2003History and Myth in Romanian Consciousness197 cited
  • 2009Refugee Theatre: Melodrama and Modernity's Loss72 cited
  • 1997La drole de guerre des sexes du cinema francais (1930-1956)16 cited

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