The Cinema of Feng Xiaogang

Abstract

Beginning first as a case study of Feng Xiaogang, this book explores Chinese film history since the early 1990s in terms of changes in the Communist Party's film policy, industry reforms, the official promotion of Main Melody films, and the emergence and growth of popular cinema. The image of Feng that emerges in the book is of a filmmaker working under political and economic pressures in a post-socialist state while still striving to create works with a personal socio-political agenda. In keeping with this reality, the book approaches Feng as a special kind of film auteur, whose works must be interpreted with attention to the specific social and political context of contemporary China.

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