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The Stage Life of Props
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  • 2005The Black Body as Souvenir in American Lynching79 cited
  • 2015New Materialisms and Performance Studies77 cited
  • 2011The Language of Stories: A Cognitive Approach71 cited
  • 2007Falsifiable Theories for Theatre and Performance Studies42 cited
  • 2019Performances at Court in the Age of Shakespeare39 cited
  • 2015“More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange34 cited
  • 2014Screening early modern drama: beyond Shakespeare26 cited
  • 2017Shaping the Archive in Late Medieval England: History, Poetry, and Performance24 cited
  • 2013The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde24 cited
  • 2013Theatrical Realism as Feminist Intervention: Katie Mitchell’s 2011 Staging of A Woman Killed with Kindness19 cited
  • 2019Jacobean Royal Premieres?17 cited
  • 2019Pericles: A Performance, a Letter (1619)16 cited
  • 2008Of hungry ghosts and other matters of consumption in the Republic of Korea: The commodity becomes a ritual prop16 cited
  • 2010"Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane14 cited

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2015
Room for Care: Simone Leigh’s Free People’s Medical Clinic
14 cited
  • 2008Social Cognition in Spectating12 cited