Television Intertextuality and the Discourse of the Nuclear Family.

Abstract

entire culture can be considered a for the purposes of analysis. Both cultural studies and semiotic approaches to art and literature have ascribed such an all encompassing meaning to the (Williams Culture; Kristeva). However, the scope of the definition will be nar rowed considerably in this essay's study of television texts. Accordingly, a will be defined as a network of codes working on a number of levels . . . and thus capa ble of producing a variety of meanings according to the socio-cultural experience of the reader (O'Sullivan 238). In fact, as Barthes has stated, as long as a text is unread, it remains only a work, a phys ical construct: The work can be held in the hand, the is held in language (Barthes 157).

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