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Embodied visions: evolution, emotion, culture and film
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  • 2019The Empathic Screen123 cited
  • 2023Minds on Stage39 cited
  • 2020Do dark personalities prefer dark characters? A personality psychological approach to positive engagement with fictional villainy35 cited
  • 2014Immersive Entryways into Televisual Worlds: Affective and Aesthetic Functions of Title Sequences in Quality Series31 cited
  • 2022Enacting the Worlds of Cinema23 cited
  • 2023Spectating Ancient Dramas21 cited
  • 2024Psychology and Neurobiology of Horror Movies20 cited
  • 2015Film: Genres and Genre Theory19 cited
  • 2020Keeping Track of Time: The Role of Spatial and Embodied Cognition in the Comprehension of Nonlinear Storyworlds17 cited
  • 2019Film as Embodied Art16 cited
  • 2014Blood Splats and Bodily Collapse: Reported Realism and the Perception of Violence in Combat Films and Video Games15 cited
  • 2013Ubiquitous Absence12 cited
  • 2011Realism as a third film practice12 cited
  • 2012Audiences10 cited
  • 2010Zen and the art of film narrative: towards a transcendental realism in film8 cited

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  • 2014Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact7 cited