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Are We Not New Wave?
12 references·10 citing·30 second hop
Are We Not New Wave? (2011)Are We Not New Wave?Popular Music Genres: An Introduction (2004)Popular Music Genres: An Intr…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The Cambridge Companion to Pop and Rock (2001)The Cambridge Companion to Po…Good vibrations : a history of record production (1996)Good vibrations : a history o…England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and beyond (1993)England's Dreaming: Anarchy, …The Cultural Logic of Late Capitalism (1992)The Cultural Logic of Late Ca…Time Passages: Collective Memory and American Popular Culture. (1991)Time Passages: Collective Mem…Gone primitive: savage intellects, modern lives (1991)Gone primitive: savage intell…Tarnished Gold: The Record Industry Revisited (1986)Tarnished Gold: The Record In…The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890 (1985)The Fatal Environment: The My…One Chord Wonders: Power and Meaning in Punk Rock (1985)One Chord Wonders: Power and …Yearning for Yesterday: A Sociology of Nostalgia. (1980)Yearning for Yesterday: A Soc…Post-punk, Industrial Culture Zines, and the Information Dark Age (2023)Post-punk, Industrial Culture…808S AND HEARTBREAK (2023)808S AND HEARTBREAKDisco Culture and the Ritual Journey in the Soviet 1980s (2021)Disco Culture and the Ritual …The Cultural Significance of Timbre Analysis (2020)The Cultural Significance of …What Makes It Sound ’80s? (2019)What Makes It Sound ’80s?Timbre, Genre, and Polystylism in Sonic the Hedgehog 3 (2019)Timbre, Genre, and Polystylis…Medusa’s on Sheffield, 1983–1992: Chicago’s Alternative All-Ages Nightclub in History and Memory (2017)Medusa’s on Sheffield, 1983–1…Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk (2017)Dub is the new black: modes o…Synthesizing difference: the queer circuits of early synthpop (2014)Synthesizing difference: the …“Luring Disco Dollies to a Life of Vice”: Queer Pop Music's Moment (2013)“Luring Disco Dollies to a Li…Signs of New Features in the Swahili Novel (2005)Spirituality: The Emergence of a New Cultural Category and its Challenge to the Religious and the Secular (2014)Echo chambers and viral misinformation: Modeling fake news as complex contagion (2018)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry (2000)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997 (2001)Changing Highbrow Taste: From Snob to Omnivore (1996)On the Emergence of Memory in Historical Discourse (2000)Problems in comparative research: The example of omnivorousness (2005)Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)Creativity and Innovation in the Music Industry (2006)The cultural and creative industries: a review of the literature (2007)Producing Artistic Value: The Case of Rock Music (1994)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Music Scenes: Local, Translocal, and Virtual (2011)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)Race and the Education of Desire (1995)Performing Autoethnography: An Embodied Methodological Praxis (2001)Nostalgia and Consumption Preferences: Some Emerging Patterns of Consumer Tastes (1993)Narratives of Organizational Identity and Identification: A Case Study of Hegemony and Resistance (2002)Nostalgia: Content, triggers, functions. (2006)The Sources of Social Power (1986)Living Borders/Buscando America: Languages of Latino Self-Formation (1990)Consuming the American West: Animating Cultural Meaning and Memory at a Stock Show and Rodeo (2001)Rethinking the music industry (2007)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Decomposed: a political ecology of music (2015)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1980Yearning for Yesterday: A Sociology of Nostalgia.1,479 cited
  • 1991Gone primitive: savage intellects, modern lives1,234 cited
  • 1992The Cultural Logic of Late Capitalism844 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.722 cited
  • 1985The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890327 cited
  • 2001The Cambridge Companion to Pop and Rock300 cited
  • 1985One Chord Wonders: Power and Meaning in Punk Rock288 cited
  • 1993England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and beyond169 cited
  • 1986Tarnished Gold: The Record Industry Revisited86 cited
  • 1996Good vibrations : a history of record production59 cited
  • 2004Popular Music Genres: An Introduction42 cited

Cited by

  • 2020The Cultural Significance of Timbre Analysis30 cited
  • 2019What Makes It Sound ’80s?24 cited
  • 2013“Luring Disco Dollies to a Life of Vice”: Queer Pop Music's Moment19 cited
  • 2017Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk

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15 cited
  • 2019Timbre, Genre, and Polystylism in Sonic the Hedgehog 314 cited
  • 2014Synthesizing difference: the queer circuits of early synthpop13 cited
  • 2023808S AND HEARTBREAK9 cited
  • 2021Disco Culture and the Ritual Journey in the Soviet 1980s5 cited
  • 2023Post-punk, Industrial Culture Zines, and the Information Dark Age3 cited
  • 2017Medusa’s on Sheffield, 1983–1992: Chicago’s Alternative All-Ages Nightclub in History and Memory3 cited