SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Stories That Float from Afar: Ancestral Folklore of the San of Southern Africa
0 references·7 citing·25 second hop
Stories That Float from Afar: Ancestral Folklore of the San of Southern Africa (2001)Stories That Float from Afar: Ancestral F…River, Rock, and ‘The Rain’s Magic Power’: Rock Art and Memory in the Northern Cape, South Africa (2022)River, Rock, and ‘The Rain’s …Co‐occurrence of Ostensive Communication and Generalizable Knowledge in Forager Storytelling (2021)Co‐occurrence of Ostensive Co…Three nineteenth-century Southern African San myths: a study in meaning (2018)Three nineteenth-century Sout…The Jackal and the Lion: Aspects of Khoisan Folklore (2016)The Jackal and the Lion: Aspe…Ambiguïté dans la représentation des animaux et des hommes dans les peintures rupestres du Cap, Afrique du Sud (2009)Ambiguïté dans la représentat…The Bushman Trickster: Protagonist, Divinity, and Agent of Creativity (2002)The Bushman Trickster: Protag…Reflections onthe first bushman's path: Stories, songs and testimonies of the /Xam of the northern capeinterview with Alan James (2002)Reflections onthe first bushm…Invitation to Archaeology. By James Deetz. (1968)Invitation to Archaeology (1987)Small things forgotten? (2002)Specimens of Bushman Folk-lore (1911)Specimens of Bushman Folklore (1912)Structure, Meaning and Ritual in the Narratives of the Southern San (2008)Man and His Symbols (1964)Humor and Laughter: An Anthropological Approach (1986)Tricksters and trancers: Bushman religion and society (2000)The !Kung of Nyae Nyae (1976)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Works and Lives: The Anthropologist as Author. (1988)Works and Lives: The Anthropologist as Author (1989)‘Elusive and allusive’: key characteristics of San expressive culture (2026)The materialities of pigments, paints and personhood in San rock paintings: celebrating the inspiration from David Lewis-Williams (2026)Orality and Literacy (1982)Culture and the Evolutionary Process (1986)Relevance: Communication and Cognition (1986)Oral Storytelling and Knowledge Transmission in Upper Paleolithic Children and Adolescents (2022)Why and How Did Narrative Fictions Evolve? Fictions as Entertainment Technologies (2022)Cross-cultural forager myth transmission rules: Implications for the emergence of cumulative culture (2023)The temporality of the landscape (1993)Time perspectives, palimpsests and the archaeology of time (2006)Place, Landscape, and Recursivity: The Rock Paintings along Agter Pakhuis Streams (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Three nineteenth-century Southern African San myths: a study in meaning34 cited
  • 2021Co‐occurrence of Ostensive Communication and Generalizable Knowledge in Forager Storytelling30 cited
  • 2016The Jackal and the Lion: Aspects of Khoisan Folklore20 cited
  • 2002The Bushman Trickster: Protagonist, Divinity, and Agent of Creativity17 cited
  • 2002Reflections onthe first bushman's path: Stories, songs and testimonies of the /Xam of the northern capeinterview with Alan James17 cited
  • 2022River, Rock, and ‘The Rain’s Magic Power’: Rock Art and Memory in the Northern Cape, South Africa1 cited
  • 2009Ambiguïté dans la représentation des animaux et des hommes dans les peintures rupestres du Cap, Afrique du Sud0 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work