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The Jazz Solo as Virtuous Act
16 references·1 citing·34 second hop
The Jazz Solo as Virtuous Act (2016)The Jazz Solo as Virtuous ActKeeping Time: Readings in Jazz History (2021)Keeping Time: Readings in Jaz…Beyond the score: music as performance (2014)Beyond the score: music as pe…Why Do Jazz Musicians Swing Their Eighth Notes? (2011)Why Do Jazz Musicians Swing T…Philosophy of the Performing Arts (2011)Philosophy of the Performing …Aesthetics and Music (2007)Aesthetics and MusicSlicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm (2006)Slicing the Beat: Jazz Eighth…A Theory of Virtue (2006)A Theory of VirtueArt as Performance (2004)Art as PerformanceIntroduction to a Philosophy of Music (2002)Introduction to a Philosophy …Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity (2000)Improvisation and the Creativ…Saying something: jazz improvisation and interaction (1997)Saying something: jazz improv…Thinking in Jazz (1994)Thinking in JazzOn Musical Improvisation (1984)On Musical ImprovisationVirtues and Vices and Other Essays in Moral Philosophy (1979)Virtues and Vices and Other E…Speech errors as linguistic evidence . Edited by Victoria A. Fromkin. (Janua linguarum, series maior, 77.) The Hague: Mouton, 1973. Pp. 269. ƒ 54.00. (1976)Speech errors as linguistic e…Jazz: Its Evolution and Essence (1956)Jazz: Its Evolution and Essen…Four Studies of Charlie Parker's Compositional Processes (2018)Four Studies of Charlie Parke…A theory of justice original editionVirtues of the Mind (1996)Critique of Pure Reason (1998)Character as Moral Fiction (2013)Moral Character (2013)More than just a game: ethical issues in gamification (2016)The culture of spontaneity: improvisation and the arts in postwar America (1998)Theatrical Improvisation: Lessons for Organizations (2004)Improvisation and Innovative Performance in Teams (2005)Redefining Creativity — Analyzing Definitions, Collocations, and Consequences (2010)Out of Notes: Signification, Interpretation, and the Problem of Miles Davis (1993)The Cambridge History of American Music (1998)The Cambridge History of Music Criticism (2019)Social entrepreneurship: towards conceptualisation (2003)Practical Intelligence and the Virtues (2009)Taking Stock of Moral Approaches to Leadership: An Integrative Review of Ethical, Authentic, and Servant Leadership (2018)Musical Understandings and Other Essays on the Philosophy of Music (2011)Musical improvisation skill in a prospective partner is associated with mate value and preferences, consistent with sexual selection and parental investment theory: Implications for the origin of music (2017)Choreography Invisible (2020)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Art and Intention (2005)Ordinary Objects (2007)Metaphysical Disputes and Metalinguistic Negotiation (2016)Dead Geographies—And How to Make Them Live (2000)Group creativity: musical performance and collaboration (2006)Music and the materialization of identities (2011)From general to language-specific capacities: the WRAPSA Model of how speech perception develops (1993)The Covert Repair Hypothesis (1993)Filled pauses as markers of discourse structure (1998)Dimensions of Musical Creativity (2020)Resonanzaffine Musikvermittlung. Ein dynamisches Modell für starke Musikerlebnisse (2023)Classical and Romantic Performing Practice (2025)
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References

  • 1994Thinking in Jazz1,018 cited
  • 1979Virtues and Vices and Other Essays in Moral Philosophy851 cited
  • 1997Saying something: jazz improvisation and interaction788 cited
  • 2014Beyond the score: music as performance623 cited
  • 2006A Theory of Virtue536 cited
  • 1976Speech errors as linguistic evidence . Edited by Victoria A. Fromkin. (Janua linguarum, series maior, 77.) The Hague: Mouton, 1973. Pp. 269. ƒ 54.00.527 cited
  • 2004Art as Performance309 cited
  • 2002Introduction to a Philosophy of Music307 cited
  • 2000Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity269 cited
  • 1956Jazz: Its Evolution and Essence258 cited
  • 1984On Musical Improvisation195 cited
  • 2021Keeping Time: Readings in Jazz History159 cited
  • 2011Philosophy of the Performing Arts153 cited
  • 2007Aesthetics and Music152 cited
  • 2006Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm121 cited
  • 2011Why Do Jazz Musicians Swing Their Eighth Notes?107 cited

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Cited by

  • 2018Four Studies of Charlie Parker's Compositional Processes4 cited