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Some Remarks on the Use of Riemann Transformations
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  • 2011Guitar Voicing in Pop-Rock Music63 cited
  • 2002Dualist tonal space and transformation in nineteenth-century musical thought62 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music51 cited
  • 2008S cale T heory , S erial T heory and V oice L eading40 cited
  • 2005Parsimony and Extravagance36 cited
  • 2005Notes on Harmony in Wayne Shorter's Compositions, 1964–6730 cited
  • 2012On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)29 cited
  • 2009Generalizing Musical Intervals27 cited
  • 2012Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music24 cited
  • 2012Riemannian Analytical Values, Paleo- and Neo-21 cited
  • 2012Harmonic Dualism as Historical and Structural Imperative16 cited
  • 2012What is a Function?16 cited
  • 2012Criteria for Analysis15 cited
  • 2012Three Short Essays on Neo-Riemannian Theory10 cited
  • 2011Transformational Aspects of Arvo Pärt's Tintinnabuli Music9 cited

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2012
The Reception of Hugo Riemann's Music Theory
9 cited