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Arsenio Rodríguez and the Transnational Flows of Latin Popular Music
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Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (2006)Arsenio Rodríguez and the Transnational F…3.2. MARXISM AND LITERATURE (2006)3.2. MARXISM AND LITERATUREHello, hello Brazil: popular music in the making of modern Brazil (2004)Hello, hello Brazil: popular …BOOK REVIEW:Katherine J. Hagedorn. DIVINE UTTERANCES: THE PERFORMANCE OF AFRO-CUBAN SANTER�A. Washington: Smithsonian Institution P (2004)BOOK REVIEW:Katherine J. Hage…Divine Utterances: The Performance of Afro-Cuban Santeria (2001)Divine Utterances: The Perfor…Blackness and race mixture: the dynamics of racial identity in Colombia (1994)Blackness and race mixture: t…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana (2021)The Political Force of Musica…Theorizing Fundamental Music/Dance Interactions in Salsa (2018)Theorizing Fundamental Music/…A Century and a Half of Scholarship on Afro-Latin American Music (2018)A Century and a Half of Schol…The sounds of latinidad: immigrants making music and creating culture in a southern city (2015)The sounds of latinidad: immi…Remembering the Borderlands: Traditional Music and the Post-Frontier in Aisén, Chile (2013)Remembering the Borderlands: …Musical antinomies of race and empire (2013)Musical antinomies of race an…Groove Aesthetics in Afro-Cuban Jazz: Towards an Empirical Aesthetic Theory (2013)Groove Aesthetics in Afro-Cub…Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano (2012)Grooves and Waves: Cyclicity …“We Both Speak African”: A Dialogic Study of Afro-Cuban Jazz (2011)“We Both Speak African”: A Di…Theories of Nationalism. (1976)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Nationalism and the Politics of Culture in Quebec (1990)The Presentation of Self in Everyday Life. (1956)Modernity at Large: Cultural Dimensions of Globalization. (1998)Sonic cultural citizenship through performance: CASA 0101’s production of Josefina López’sDetained in the Desert (2017)The Invention of Latin American Music (2020)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Kafka: Toward a Minor Literature (1986)Flipped, Broken, and PausedClave (2021)George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux (2022)From Clave Ethnotheory to Clave Theories: A Path Toward Decolonizing Musical Analysis (2024)The Constitution of Society. Outline of the Theory of Structuration (1984)Bowling alone: the collapse and revival of American community (2000)Reassembling the Social (2005)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)Embodied Matters:Bolivian Fantasyand Indigenismo (2006)VERSIONS OF THE DEAD:Kalunga, Cuban-Kongo Materiality, and Ethnography (2007)Sound, Music, and the Study of Religion (2012)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Analysing Discourse: Textual Analysis for Social Research (2003)Cruising utopia: the then and there of queer futurity (2010)Identity Construction: New Issues, New Directions (1997)Elementary strategies of ethnic boundary making (2008)The Making and Unmaking of Ethnic Boundaries: A Multilevel Process Theory (2008)The Managers, the Managed, and the Unmanageable: Negotiating Values at the Buenos Aires International Music Fair (2010)Changing Space, Making Race: Distance, Nostalgia, and the Folklorization of Blackness in Puerto Rico (2002)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Intangible Heritage as a Festival; or, Folklorization Revisited (2018)
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References

  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1994Blackness and race mixture: the dynamics of racial identity in Colombia287 cited
  • 2001Divine Utterances: The Performance of Afro-Cuban Santeria164 cited
  • 2004Hello, hello Brazil: popular music in the making of modern Brazil124 cited
  • 2004BOOK REVIEW:Katherine J. Hagedorn. DIVINE UTTERANCES: THE PERFORMANCE OF AFRO-CUBAN SANTER�A. Washington: Smithsonian Institution P42 cited

Cited by

  • 2015The sounds of latinidad: immigrants making music and creating culture in a southern city34 cited
  • 2018Theorizing Fundamental Music/Dance Interactions in Salsa20 cited
  • 2021The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana10 cited
  • 2013Remembering the Borderlands: Traditional Music and the Post-Frontier in Aisén, Chile10 cited
  • 2018A Century and a Half of Scholarship on Afro-Latin American Music4 cited
  • 2011“We Both Speak African”: A Dialogic Study of Afro-Cuban Jazz4 cited
  • 2012Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano4 cited
  • 2013Groove Aesthetics in Afro-Cuban Jazz: Towards an Empirical Aesthetic Theory3 cited

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  • 2013Musical antinomies of race and empire3 cited