Rock Over the Edge

Abstract

Introduction Over the edge - Roger Beebe (University of Florida), Denise Fulbrook (Duke University), Ben Saunders (University of Oregon) Discourses/Histories Same as it ever was? Rock Culture. Same as it ever was! Rock Theory - Lawrence Grossberg (University of North Carolina at Chapel Hill) Elvis everywhere or the New Musicology meets Popular Music Studies in a Post-Classical World - Robert Fink (UCLA) Think about What You're Trying To Do To Me: Rock Historiography and the Construction of a Raced-based Dialectic - John J. Sheinbaum (University of Denver) Hijacked Hits and Antic Authenticity: Cover Songs, Race and Postwar Marketing - Michael Coyle (Colgate University) New Spaces / New Maps Why isn't Country Music Culture? - Trent Hill (University of Washington) Everything and the Girl: Feminism, rock Music and the Cultural Construction of Female Youth - Gayle Wald (George Washington University) Satellite Rhythms: Channel V, Asian Music Video and the Transnational Gender - Lisa Ann Parks (University of California, Santa Barbara) The Feminization of Rock - Tony Grajeda Rock's Reconquista: Space, Sound and the Music of America - Josh Kun (UC Riverside) Desires/Affects A Fan's Notes: Identification, Desire and the Haunted Sound Barrier - Warren Zanes Re-Mapping the Present: Kurt Cobain and the Future of Nostalgia - Roger Beebe (University of Florida) DC Punk and the Production of Authenticity - Jason Middleton Queen Theory: Notes n the Pet-Shop Boys - Ian Balfour (York University, Ontario)

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