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I Want to Be Ready
1 references·16 citing·38 second hop
I Want to Be Ready (2010)I Want to Be ReadyThe Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender (2021)Unmaking Contact: Choreograph…Investigating Dance Improvisation: From Spontaneity to Agency (2020)Investigating Dance Improvisa…Crashing Creatively: Trial and Error in the Hip Hop Battle (2020)Crashing Creatively: Trial an…A Dance of Resistance from Recife, Brazil: Carnivalesque Improvisation in Frevo (2019)A Dance of Resistance from Re…Talking Politics of Contact Improvisation with Steve Paxton (2018)Talking Politics of Contact I…Displacing Vision: Contact Improvisation, Anarchy, and Empathy (2018)Displacing Vision: Contact Im…A Litany on An/notations (2018)A Litany on An/notationsWalking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance (2017)Walking with the Self: Zab Ma…Subjective (Re)positioning in Musical Improvisation (2017)Subjective (Re)positioning in…Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market (2017)Gaga as Metatechnique: Negoti…Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance by Bojana Cvejić . 2015. London: Palgrave Macmillan. 262 pp., 16 illustrations, series preface, acknowledgments, abbreviations, introduction, conclusion, notes, bibliography, index. $95 hardcover. (2016)Choreographing Problems: Expr…Queens’ diaspora (2015)Queens’ diasporaImprovisation Practices and Dramaturgical Consciousness: A Workshop (2015)Improvisation Practices and D…Improvisation in the Arts (2015)Improvisation in the ArtsGhostcatchingandAfter Ghostcatching, Dances in the Dark (2015)GhostcatchingandAfter Ghostca…Allegories of Passing in Bill T. Jones (2008)Allegories of Passing in Bill…Languages of Art (1976)Improvisation: Its Nature And Practice In Music (1980)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)How To Do Things With Words (1975)A Brief History of Neoliberalism (2005)Projects, Precarity, and the Ontology of Dance Works (2019)A Brief History of Neoliberalism (2020)Undoing Gender (2004)Reassembling the Social (2005)Reassembling the social: An introduction to actor‐network‐theory (2008)Gender as performance, experience, identity and, variable: A systematic review of gender research in jazz and improvisation (2022)Free Improvisation, Egalitarianism, and Knowledge (2023)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)Bodies That Matter (2011)Having a Personal (Performance) Practice: Dance Artists' Everyday Work, Support, and Form (2019)Sharing the dance: contact improvisation and American culture (1991)Sharing The Dance. Contact Improvisation and American Culture Cynthia J. Novack New Directions in Anthropological Writing. University of Wisconsin Press: Madison, Wisconsin 1990, xvii + 258pp., £23.95 (1993)The Oxford Handbook of Dance and Politics (2017)Droppin' science : critical essays on rap music and hip hop culture (1996)Writing Dancing in the Age of Postmodernism by Sally Banes. Hanover, NH: University Press of New England, Wesleyan University Press, 1994. xvi + 412 pp., photographs, figures, notes, index. $19.95 paperbound. (1996)The Queer Art of Failure (2011)PHENOMENOLOGY OF PERCEPTION (1963)Phenomenology of Perception (1982)The Phenomenological Mind (2007)Performing Illness: A Dialogue About an Invisibly Disabled Dancing Body (2021)"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)Embodying an Interactive AI for Dance Through Movement Ideation (2023)On Touching – Jean-Luc Nancy (2010)On Decoloniality: Concepts, Analytics, Praxis (2018)The End of the Cognitive Empire (2018)Ecosocial Care Ethics in and through Dance Education (2025)Sister Outsider: Essays and Speeches (1984)The Black Atlantic: Modernity and Double Consciousness (1994)Colonial Discourse and Post-Colonial Theory: A Reader (1995)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited

Cited by

  • 2020Investigating Dance Improvisation: From Spontaneity to Agency27 cited
  • 2015Improvisation in the Arts24 cited
  • 2021Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender22 cited
  • 2018Talking Politics of Contact Improvisation with Steve Paxton20 cited
  • 2017Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market15 cited
  • 2016Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance by Bojana Cvejić . 2015. London: Palgrave Macmillan. 262 pp., 16 illustrations, series preface, acknowledgments, abbreviations, introduction, conclusion, notes, bibliography, index. $95 hardcover.15 cited
  • 2020Crashing Creatively: Trial and Error in the Hip Hop Battle12 cited
  • 2015Queens’ diaspora12 cited
  • 2017Subjective (Re)positioning in Musical Improvisation9 cited
  • 2018A Litany on An/notations9 cited
  • 2018Displacing Vision: Contact Improvisation, Anarchy, and Empathy9 cited
  • 2015Improvisation Practices and Dramaturgical Consciousness: A Workshop8 cited
  • 2008Allegories of Passing in Bill T. Jones7 cited

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  • 2017Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance7 cited
  • 2019A Dance of Resistance from Recife, Brazil: Carnivalesque Improvisation in Frevo7 cited
  • 2015GhostcatchingandAfter Ghostcatching, Dances in the Dark6 cited