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Towards a Methodology for Software Preservation
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Towards a Methodology for Software Preservation (2009)Towards a Methodology for Software Preser…Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation (2021)Exploring the Outlands : A Ca…Reproducibility of execution environments in computational science using Semantics and Clouds (2016)Reproducibility of execution …Towards the Preservation of the Scientific Memory (2015)Towards the Preservation of t…Towards Reproducibility in Scientific Workflows: An Infrastructure-Based Approach (2015)Towards Reproducibility in Sc…An invariant framework for conducting reproducible computational science (2015)An invariant framework for co…A Semantic-Based Approach to Attain Reproducibility of Computational Environments in Scientific Workflows: A Case Study (2014)A Semantic-Based Approach to …Preservation Network Models: Creating Stable Networks of Information to Ensure the Long Term use of Scientific Data (2009)Preservation Network Models: …Preservation and Curation in Institutional Repositories (2009)Preservation and Curation in …Galaxy: A platform for interactive large-scale genome analysis (2005)Taverna: lessons in creating a workflow environment for the life sciences (2005)Examining the Challenges of Scientific Workflows (2007)Abstract, link, publish, exploit: An end to end framework for workflow sharing (2017)Utilizing Provenance in Reusable Research Objects (2018)A Framework for Software Preservation (2010)Managing Risks in the Preservation of Research Data with Preservation Networks (2012)Sustaining Software Preservation Efforts Through Use and Communities of Practice (2020)From scientific software libraries to problem-solving environments (1996)Divorcing Language Dependencies from a Scientific Software Library. (2001)An introduction to Docker for reproducible research (2015)A framework for scientific workflow reproducibility in the cloud (2016)Report on the Third Workshop on Sustainable Software for Science: Practice and Experiences (WSSSPE3) (2016)Galaxy: a comprehensive approach for supporting accessible, reproducible, and transparent computational research in the life sciences (2010)Galaxy: A Web‐Based Genome Analysis Tool for Experimentalists (2010)Using Ontologies for Verification and Validation of Workflow-Based Experiments (2017)The role of metadata in reproducible computational research (2021)First Steps Towards Electronic Research Communication (1994)The DCC Curation Lifecycle Model (2008)PREMIS Data Dictionary for Preservation Metadata (2009)The Role of Community-Driven Data Curation for Enterprises (2010)CHAPMAN AND HALL (1985)Replicability is not Reproducibility:Nor is it Good Science (2009)Implementing Reproducible Research (2014)Contemporary theory of conservation (2002)The Artist's Sanction in Contemporary Art (2005)The artist interview: for conservation and presentation of contemporary art: guidelines and practice (2012)A mathematical framework for earth science data provenance tracing (2010)Toward Executable Scientific Publications (2011)Assisting digital interoperability and preservation through advanced dependency reasoning (2014)
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Cited by

  • 2015Towards Reproducibility in Scientific Workflows: An Infrastructure-Based Approach36 cited
  • 2016Reproducibility of execution environments in computational science using Semantics and Clouds31 cited
  • 2015An invariant framework for conducting reproducible computational science30 cited
  • 2014A Semantic-Based Approach to Attain Reproducibility of Computational Environments in Scientific Workflows: A Case Study11 cited
  • 2009Preservation Network Models: Creating Stable Networks of Information to Ensure the Long Term use of Scientific Data8 cited
  • 2015Towards the Preservation of the Scientific Memory4 cited
  • 2009Preservation and Curation in Institutional Repositories4 cited
  • 2021Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation1 cited

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