Manufacturing Authenticity: The Feminine Ideal in Tony Bui's Three Seasons

Lan P. Duong

5 citations0/0 files storedAmerasia Journal

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Cinema History and Criticism Cinema and Media Studies Vietnamese History and Culture Studies

Abstract

Looking at Tony Bui's feature film, Three Seasons, I argue there is a desire to re-imagine and apprehend pre-capitalist Viet Nam that is endemic not only for Western tourists in the twentieth century, but for Vietnamese diasporic subjects as well - an experience often reconstituted through the camera apparatus for overseas audiences.

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2001Flexible Citizenship: The Cultural Logics of Transnationality 1995Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies 1988Ronald Reagan, the Movie, and Other Episodes in Political Demonology 1993Writing Diaspora 1992Issues in Feminist Film Criticism 1997Key concepts in cinema studies 1994Family Tightrope: The Changing Lives of Vietnamese Americans.2005Inauthentic: the anxiety over culture and identity

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