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Song, Story and Nation: Women as Singers and Actresses in Zimbabwe
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Song, Story and Nation: Women as Singers and Actresses in Zimbabwe (1994)Song, Story and Nation: Women as Singers …'COME DOWN, O LORD!' MUSIC, PROTEST AND RELIGION IN ZIMBABWE (2016)'COME DOWN, O LORD!' MUSIC, P…Learning in Secret: Entanglements between Gender and Age in Women's Experiences with the Zimbabwean Mbira Dzavadzimu (2014)Learning in Secret: Entanglem…The female body and voice in audiovisual political propaganda jingles: the Mbare Chimurenga Choir women in Zimbabwe's contested political terrain (2013)The female body and voice in …Rethinking the notion of chimurenga in the context of political change in Zimbabwe (2011)Rethinking the notion of chim…Re-Inventing Memory And Reforming Performances: A Genealogy Of Panic Theatre In Zimbabwe (2009)Re-Inventing Memory And Refor…Introduction: Yvonne Vera's Fictions and the Voice of the Possible (2007)Introduction: Yvonne Vera's F…'Hear our Voices': Female popular musicians in post-independence Zimbabwe (2007)'Hear our Voices': Female pop…‘Canadian Journal of African Studies’ (1967)Inalienable Possessions (1992)Inalienable possessions: the paradox of keeping-while-giving (1993)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Selections from the prison notebooks (2020)Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism. (1997)The Black Atlantic: Modernity and Double Consciousness. (1997)Citizen and Subject (2018)Oliver Mtukudzi: Singing for Harmony to Reconstruct and Heal Our Land (2022)Politics and Performance: Theatre, Poetry, and Song in Southern Africa (1997)Stories of women: Gender and narrative in the postcolonial nation (2013)Versions of Zimbabwe: New Approaches to Literature and Culture (2021)The Politics and Poetics of Transgression (1988)Family Feuds: Gender, Nationalism and the Family (1993)Rabelais and his world (2020)Gone primitive: savage intellects, modern lives (1991)Cities of the Dead: Circum-Atlantic Performance. (1997)Nationalist Historiography, Patriotic History and the History of the Nation: the Struggle over the Past in Zimbabwe (2004)Contemporary theatre spaces: politico-ideological constructions in Zimbabwe: a dialectical approach (2015)Subversion of socialist realist theatre and the rise of post-realist theatre in Zimbabwe, 1980–1996 (2015)Dimensions of the sacred: an anatomy of the world's beliefs (1997)'Delivered From the Spirit of Poverty?': Pentecostalism, Prosperity and Modernity in Zimbabwe1 (1998)Funeral songs and the Seventh-day Adventist Church (2011)
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Cited by

  • 2013The female body and voice in audiovisual political propaganda jingles: the Mbare Chimurenga Choir women in Zimbabwe's contested political terrain14 cited
  • 2007Introduction: Yvonne Vera's Fictions and the Voice of the Possible14 cited
  • 2011Rethinking the notion of chimurenga in the context of political change in Zimbabwe8 cited
  • 2007'Hear our Voices': Female popular musicians in post-independence Zimbabwe6 cited
  • 2009Re-Inventing Memory And Reforming Performances: A Genealogy Of Panic Theatre In Zimbabwe6 cited
  • 2016'COME DOWN, O LORD!' MUSIC, PROTEST AND RELIGION IN ZIMBABWE5 cited
  • 2014Learning in Secret: Entanglements between Gender and Age in Women's Experiences with the Zimbabwean Mbira Dzavadzimu3 cited

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