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Identification by Raman microscopy of anachronistic pigments on a purported Chagall nude: conservation consequences
11 references·4 citing·25 second hop
Identification by Raman microscopy of anachronistic pigments on a purported Chagall nude: conservation consequences (2016)Identification by Raman microscopy of ana…Russian avant‐garde… or not? A micro‐Raman spectroscopy study of six paintings attributed to Liubov Popova (2010)Russian avant‐garde… or not? …Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Synthetic organic pigments of…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)The identification by Raman m…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Pigment identification on med…Identification by Raman Microscopy and Visible Reflectance Spectroscopy of Pigments on an Icelandic Manuscript (1995)Identification by Raman Micro…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Non-destructive pigment analy…Connecting palettes — An integrated spectroscopic analysis and UMAP visualisation of Wu Guanzhong's paint palette and his painting (2024)Connecting palettes — An inte…Best billiard ball in the 19th century: Composite materials made of celluloid and bone as substitutes for ivory (2023)Best billiard ball in the 19t…Ion Beam Analysis and 14C Accelerator Mass Spectroscopy to Identify Ancient and Recent Art Forgeries (2022)Ion Beam Analysis and 14C Acc…Comparison and characterization of pigments and dyes by Raman spectroscopy (2021)Comparison and characterizati…Analyse non destructive des pigments par microsonde Raman laser: exemples de l'azurite et de la malachite (1984)The Fading Rates of Some Natural Dyes (1987)Non-destructive analysis of organic pigments and dyes using Raman microprobe, microfluorometer or absorption microspectrophotometer (1989)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)The materials and techniques of medieval painting (1956)VERDIGRIS AND COPPER RESINATE (1970)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Nouveau traité de chimie minérale (1962)Raman microscopy in archaeological science (2004)The Organic Chemistry of Museum Objects (1988)Painting Materials: A Short Encyclopedia (2011)A History of Illuminated Manuscripts (1987)Ceramics for the archaeologist (1956)Ceramics for the Archaeologist (1957)Pottery Analysis: A Sourcebook. (1990)Clay and iron oxide pigments in the history of painting (2003)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Handheld XRF for Art and Archaeology (2013)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,052 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)1,000 cited
  • 2007Pigment Compendium: A Dictionary of Historical Pigments474 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass430 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art382 cited
  • 2008Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection266 cited
  • 1992Non-destructive pigment analysis of artefacts by Raman microscopy165 cited
  • 1995Identification by Raman Microscopy and Visible Reflectance Spectroscopy of Pigments on an Icelandic Manuscript127 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
  • 1998The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments92 cited
  • 2010Russian avant‐garde… or not? A micro‐Raman spectroscopy study of six paintings attributed to Liubov Popova38 cited

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  • 2021Comparison and characterization of pigments and dyes by Raman spectroscopy

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14 cited
  • 2022Ion Beam Analysis and 14C Accelerator Mass Spectroscopy to Identify Ancient and Recent Art Forgeries9 cited
  • 2023Best billiard ball in the 19th century: Composite materials made of celluloid and bone as substitutes for ivory8 cited
  • 2024Connecting palettes — An integrated spectroscopic analysis and UMAP visualisation of Wu Guanzhong's paint palette and his painting6 cited