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Personal Jesus: How Popular Music Shapes Our Souls
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Personal Jesus: How Popular Music Shapes Our Souls (2013)Personal Jesus: How Popular Music Shapes …Peran Imajinasi Untuk Pendidikan Kristen yang Transformatif (2023)Peran Imajinasi Untuk Pendidi…KAJIAN TEOLOGI MORAL TERHADAP FASHION SEBAGAI ISU BUDAYA POPULER (2018)KAJIAN TEOLOGI MORAL TERHADAP…Listening as Religious Practice (Part One): Exploring Quantitative Data from an Empirical Study of the Cultural Habits of Music Fans (2014)Listening as Religious Practi…Can Music “Mirror” God? A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel (2014)Can Music “Mirror” God? A The…Feminine Endings: Music, Gender, and Sexuality (1992)Theology, Music and Time (2000)Working toward third space in content area literacy: An examination of everyday funds of knowledge and Discourse (2004)Unified Consciousness and the Effect of Body Scan Meditation on Happiness: Alteration of Inner-Body Experience and Feeling of Harmony as Central Processes (2019)Creating Spiritual Spaces Through the Music of Arvo Pärt and Ljubica Marić (2022)Freud and Philosophy an Essay on Interpretation (1970)The new catholicity : theology between the global and the local (1997)An Introduction to Theories of Popular Culture (2004)Bowling Alone: The Collapse and Revival of American Community (2001)The Redemptive Self (2006)Religion in Human Evolution (2011)The ‘religious’ response: experience of celebrity death among fans of John Lennon and Johnny Cash (2024)Understanding and Promoting Transformative Learning: A Guide for Educators of Adults (1994)On Critical Reflection (1998)The Power of Feelings: Emotion, Imagination, and the Construction of Meaning in Adult Learning (2001)
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  • 2014Can Music “Mirror” God? A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel11 cited
  • 2023Peran Imajinasi Untuk Pendidikan Kristen yang Transformatif6 cited
  • 2018KAJIAN TEOLOGI MORAL TERHADAP FASHION SEBAGAI ISU BUDAYA POPULER4 cited
  • 2014Listening as Religious Practice (Part One): Exploring Quantitative Data from an Empirical Study of the Cultural Habits of Music Fans3 cited

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