Primjenjujući kritička sredstva na kritičku teoriju. Uz nekoliko primjedbi na implikacije u muzikologiji

Abstract

This article applies three tools of critical analysis to critical theory (in both the wider and narrower sense of the term) and its use in musicology. The tools in question are taken from a set of philosophical theories that the author has been working on for a number of years. These theories can be linked together to form the subtheories of a comprehensive, unified approach called DA (Discourse Archaeology) theory. The subtheories or analytical tools that will be used here, are those that comprise an ideology theory, a rationality theory, and a theory of conceptual key-formulas. Using these tools, certain deficiencies in critical theory — and its application to music — are exposed; note is taken of the special case of Derrida and decon

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