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This chapter examines the adaptation, for the nineteenth century stage, of sensation novels and their impact on Victorian theatre. It discusses the role played by the censor, as well as the move towards spectacular special effects as one of the selling points of the adaptations.
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Stored only when both papers are in the corpus — 7 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.