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The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies
10 references·3 citing·31 second hop
The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies (2009)The Accident and the Account: Towards a T…From The Emancipated Spectator (2025)From The Emancipated SpectatorMarina Abramovic: Witnessing Shadows (2004)Marina Abramovic: Witnessing …Antagonism and Relational Aesthetics (2004)Antagonism and Relational Aes…Change on Whose Terms? Testimony and an Erotics of Injury (2001)Change on Whose Terms? Testim…Certain Fragments: Texts and Writings on Performance (1999)Certain Fragments: Texts and …Choreographing difference: the body and identity in contemporary dance (1998)Choreographing difference: th…Unclaimed experience: trauma, narrative, and history (1997)Unclaimed experience: trauma,…Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war" (1997)Disappearing acts: spectacles…The Audience: Subjectivity, Community and the Ethics of Listening (1993)The Audience: Subjectivity, C…Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)Testimony: crises of witnessi…Dissonant Witnessing: The “in” and “above” of Thou Proud Dream (2016)Dissonant Witnessing: The “in…Theatricality, Dark Tourism and Ethical Spectatorship (2014)Theatricality, Dark Tourism a…Between Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process (2013)Between Repetition and Oblivi…The Philosophy of Andy Warhol: From A to B and Back Again (1975)Unmarked: The Politics of Performance (1994)Écrits: A Selection (2001)Devising Utopia, or Asking for the Moon (2005)The Black Body as Souvenir in American Lynching (2005)Shakespeare, Spectatorship and the Technologies of Performance (2020)Critical Theory and Performance (1993)Lost Subjects, Contested Objects: Toward a Psychoanalytic Inquiry of Learning (1998)Refugee performance: aesthetic representation and accountability in playback theatre (2008)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)Deleuze and the Anthropology of Becoming (2010)Wounded cities: Memory-work and a place-based ethics of care (2011)Methodology-21: what do we do in the afterward? (2013)On the Emergence of Memory in Historical Discourse (2000)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)“The question of belief”: writing poststructural ethnography (1995)Feminism and Cultural Memory: An Introduction (2002)Speculations on qualities of difficult knowledge in teaching and learning: an experiment in psychoanalytic research (2003)Contemporary Art and the Politics of Aesthetics (2009)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)Games (2020)Encountering Latin American and Caribbean Feminisms (2003)Globalization and Postcolonial States (2006)The Madres de Plaza de Mayo and Three Decades of Human Rights' Activism: Embeddedness, Emotions, and Social Movements (2006)Afterwords (2000)Performing Autoethnography: An Embodied Methodological Praxis (2001)Dancing Postcolonialism (2007)Dancing on the Grid: using e-Science tools to extend choreographic research (2009)Theatre and Knowing: Considering the Pedagogical Spaces in Devised Theatre (2011)Promoting Oral Presentation Skills Through Drama-Based Tasks with an Authentic Audience: A Longitudinal Study (2021)
this work references cited by second hop

References

  • 1992Testimony: crises of witnessing in literature, psychoanalysis, and history3,375 cited
  • 1997Unclaimed experience: trauma, narrative, and history2,689 cited
  • 2025From The Emancipated Spectator1,648 cited
  • 2004Antagonism and Relational Aesthetics1,037 cited
  • 1997Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war"616 cited
  • 1998Choreographing difference: the body and identity in contemporary dance331 cited
  • 2004Marina Abramovic: Witnessing Shadows99 cited
  • 1999Certain Fragments: Texts and Writings on Performance68 cited
  • 2001Change on Whose Terms? Testimony and an Erotics of Injury59 cited
  • 1993The Audience: Subjectivity, Community and the Ethics of Listening28 cited

Cited by

  • 2014Theatricality, Dark Tourism and Ethical Spectatorship53 cited
  • 2016Dissonant Witnessing: The “in” and “above” of Thou Proud Dream12 cited
  • 2013Between Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process7 cited

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