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Hallyu 2.0: the Korean wave in the age of social media
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  • 2020Moments of relational work in English fan translations of Korean TV drama50 cited
  • 2020Translating the other: Communal TV watching of Korean TV drama30 cited
  • 2019Genre conventions in K-pop: BTS’s ‘Dope’ music video26 cited
  • 2017Introduction23 cited
  • 2022Contested fandom and nationalism: How K-Pop fans perform political consumerism in China23 cited
  • 2016The Korean Wave Phenomenon in Asian Diasporas in Canada18 cited
  • 2018The politics of apology: The ‘Tzuyu Scandal’ and transnational dynamics of K-pop18 cited
  • 2023Fiction and Pragmatics14 cited
  • 2019The returning of Hallyu in China: transnational reception of the Korean drama My Love from the Star13 cited
  • 2017Pop Cosmopolitics and K-pop Video Culture11 cited
  • 2022Influence of Digital Media Advertisements of KPOP Industry on Selected Young Adults in Manila, Philippines10 cited
  • 2018The Korean Government’s New Cultural Policy in the Age of Social Media8 cited
  • 2017Roots and Routes: Hip-Hop from South Korea6 cited
  • 2020Popular Culture and the Transformation of Japan–Korea Relations6 cited
  • 2021

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Better than television: The rise of Korean web dramas
5 cited
  • 2018Fan Entrepreneurship: Fandom, Agency, and the Marketing of Hallyu in Israel5 cited