SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Where are we?: camera movements and the problem of point of view
16 references·3 citing·29 second hop
Where are we?: camera movements and the problem of point of view (2016)Where are we?: camera movements and the p…Tactile Eye (2009)Tactile EyeGaming: essays on algorithmic culture (2007)Gaming: essays on algorithmic…Gaming: Essays On Algorithmic Culture (2006)Gaming: Essays On Algorithmic…The Classical Hollywood Cinema (2003)The Classical Hollywood CinemaPainting and Experience in Fifteenth Century Italy. (1996)Painting and Experience in Fi…Mimesis as Make-Beleive (1995)Mimesis as Make-BeleiveImage and Mind (1995)Image and MindThe Expression of Feeling in Imagination (1994)The Expression of Feeling in …Mimesis as Make-Believe (1993)Mimesis as Make-BelieveThe Address of the Eye (1992)The Address of the EyeCinema 1: The Movement-Image (1987)Cinema 1: The Movement-ImageCinema I (1986)Cinema IFearing Fictions (1978)Fearing FictionsPainting and Experience in Fifteenth Century Italy (1969)Painting and Experience in Fi…Attachment, New York (Basic Books) 1969. (1969)Attachment, New York (Basic B…Phenomenology of Perception (1963)Phenomenology of PerceptionEnacting the Worlds of Cinema (2022)Enacting the Worlds of CinemaScreen Space Reconfigured (2020)Screen Space ReconfiguredIntroduction 1: The Long Take—Critical Approaches (2017)Introduction 1: The Long Take…The Close-Up: Scale and Detail in the Cinema (2003)Affecting Geospatial Technologies: Toward a Feminist Politics of Emotion* (2007)LOOKING FOR M— (2009)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)A cognitive theory of pretense (2000)Mindreading (2003)Simulating Minds (2006)Pretend Play Skills and the Child's Theory of Mind (1993)Technologies of the Imagination: An Introduction (2009)The Early Ontogeny of Social Norms (2012)Basic emotions, relations among emotions, and emotion-cognition relations. (1992)The neurobiology of attachment (2001)Testing the dimensionality of place attachment and its relationships with place satisfaction and pro-environmental behaviours: A structural equation modelling approach (2012)THE MIRROR-NEURON SYSTEM (2004)Editorial: Mobilities, Immobilities and Moorings (2006)Place attachment: How far have we come in the last 40 years? (2010)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Learning across the life cycle: Experimentation and performance among the hollywood studio heads (2001)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Beyond Play (2007)Digital Arabs (2008)Advancements in technology and digital media in tourism (2021)Dead Geographies—And How to Make Them Live (2000)Witnessing Space: ‘Knowledge without Contemplation’ (2003)On Geography and Materiality (2008)Making virtual worlds: Linden Lab and Second Life (2009)Video Game Genre, Evolution and Innovation (2009)
this work references cited by second hop

References

  • 1963Phenomenology of Perception2,048 cited
  • 1986Cinema I1,503 cited
  • 1969Attachment, New York (Basic Books) 1969.1,234 cited
  • 1992The Address of the Eye1,199 cited
  • 1993Mimesis as Make-Believe861 cited
  • 2003The Classical Hollywood Cinema728 cited
  • 1987Cinema 1: The Movement-Image691 cited
  • 2007Gaming: essays on algorithmic culture689 cited
  • 2006Gaming: Essays On Algorithmic Culture603 cited
  • 1995Image and Mind552 cited
  • 1978Fearing Fictions520 cited
  • 2009Tactile Eye501 cited
  • 1995Mimesis as Make-Beleive486 cited
  • 1996Painting and Experience in Fifteenth Century Italy.475 cited
  • 1969Painting and Experience in Fifteenth Century Italy403 cited
  • 1994The Expression of Feeling in Imagination398 cited

Cited by

  • 2020Screen Space Reconfigured35 cited
  • 2022

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Enacting the Worlds of Cinema
23 cited
  • 2017Introduction 1: The Long Take—Critical Approaches18 cited