Modernism and copyright

Abstract

ACKNOWLEDGMENTS SERIES EDITORS' FOREWORD PAUL K. SAINT-AMOUR INTRODUCTION: AND LIVES OF 1. Portraits of the Modernist As Copywright ROBERT SPOO EZRA POUND, LEGISLATOR: PERPETUAL RIGHTS AND UNFAIR COMPETITION WITH DEAD CELIA MARSHIK THINKING BACK THROUGH COPYRIGHT: FREEDOM AND FAIR USE IN VIRGINIA WOOLF'S NONFICTION 2. Melodic Properties of the Culture System MARK OSTEEN RHYTHM CHANGES: CONTRAFACTS, COPYRIGHT, AND JAZZ JOANNA DEMERS MELODY, THEFT, AND HIGH CULTURE 3. The Fall and Rise of Remix Culture PETER DECHERNEY GAG ORDERS: COMEDY, CHAPLIN, AND W. RON GARD & ELIZABETH TOWNSEND GARD MARKED BY MODERNISM: RECONFIGURING 'TRADITIONAL CONTOURS OF COPYRIGHT LAW' FOR TWENTY-FIRST CENTURY 4. Regimes of Attribution and Publicity CATHERINE L. FISK THE MODERN AUTHOR AT WORK ON MADISON AVENUE OLIVER GERLAND MODERNISM AND EMERGENCE OF RIGHT OF PUBLICITY: FROM HEDDA GABLER TO LUCY, LADY DUFF-GORDON 5. Biography, Privacy, and Copyright MARK A. FOWLER 'THE QUICK IN PURSUIT OF DEAD': IAN HAMILTON AND CLASH BETWEEN LITERARY BIOGRAPHERS AND COPYRIGHT OWNERS CAROL LOEB SHLOSS PRIVACY AND MISUSE OF COPYRIGHT: CASE OF SHLOSS V. ESTATE OF JAMES JOYCE 6. Calving the Wind STANFORD G. GANN, JR. BEYOND GRAVE: CONTINUING LIFE THROUGH GREAT WORKS MARY DE RACHEWILTZ MENS SINE AFFECTU 7. Modernism After Modernism JOSEPH R. SLAUGHTER 'IT'S GOOD TO BE PRIMITIVE': (RE)PLACING AFRICA AT ENDS OF ERIC HAYOT & EDWARD WESP SOLOMON'S BLUFF: VIRTUAL PROPERTY AND AESTHETICS OF MODERN WORLDMAKING APPENDIX: COPYRIGHT PROTECTION AND USERS' RIGHTS-FREQUENTLY ASKED QUESTIONS BIBLIOGRAPHY NOTES ON CONTRIBUTORS INDEX

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