Oral History and Digital Humanities: Voice, Access, and Engagement

Abstract

Introduction - Douglas A. Boyd and Mary A. Larson Part I - Orality/Aurality Chapter 1: in the of Digital Possibilities by William Schneider Chapter 2: WHY DO WE CALL IT ORAL HISTORY? Refocusing on Orality/Aurality in the Digital Age by Sherna Berger Gluck Chapter 3: Adventures in Sound: Aural History, the Digital Revolution, and the Making of I Can Almost See the Lights of Home: A Field Trip to Harlan County Kentucky by Charles Hardy III Chapter 4: 'I Just Want to Click on it to Listen': Oral Archives, Orality and Usability by Douglas A. Boyd Part II -Discovery and Discourse Chapter 5: Beyond the Transcript: Oral as Pedagogy by Marjorie McLellan Chapter 6: Notes from the Field: Digital and Oral History by Gerald Zahavi Chapter 7: Densho: The Japanese American Legacy Project by Tom Ikeda Chapter 8: Deconstruction without Destruction: Creating Metadata for Oral in a Digital World by Elinor Maze Chapter 9: 'We All Begin with a Story': Discovery and Discourse in the Digital Realm by Mary A. Larson Part III - Oral and Digital Humanities Perspectives Chapter 10: Swimming in the Exaflood: Oral as Information in the Digital Age by Stephen Sloan Chapter 11: [o]ral [h]istory and the [d]igital [h]umanities by Dean Rehberger

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