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Wong Kar‐wai's Genre Practice and Romantic Authorship: The Cases of Ashes of Time Redux and the Grandmaster
7 references·0 citing·21 second hop
Wong Kar‐wai's Genre Practice and Romantic Authorship: The Cases of Ashes of Time Redux and the Grandmaster (2015)Wong Kar‐wai's Genre Practice and Romanti…Film Authorship: Auteurs and Other Myths (2011)Film Authorship: Auteurs and …Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism (2009)Taking Hollywood Back: The Hi…Wong Kar-wai’s Films and the Culture of the Kawaii (2008)Wong Kar-wai’s Films and the …Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility (2008)Sentimental fabulations, cont…Wong Kar-wai’s Ashes of Time (2003)Wong Kar-wai’s Ashes of TimeNostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together (1999)Nostalgia of the New Wave: St…Dialectic of Deception (1999)Dialectic of DeceptionCity on Fire: Hong Kong Cinema (1999)Bio/pics: how Hollywood constructed public history (1992)The Cultural Front (1992)Close up, 1927-1933: cinema and modernism (1999)Genre, Authorship and Contemporary Women Filmmakers (2018)Postmodern Cities and Spaces (1995)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Translation and Subjectivity: On Japan and cultural nationalism (2008)Minima Moralia: Reflections from Damaged Life (1951)Instituting Psychoanalysis in Chicago (2014)The Four Fundamental Concepts of Psycho-Analysis (2018)Dialectic of Enlightenment (2020)Queerscapes in Contemporary Hong Kong Cinema (2001)Memories of Memories: Historicity, Nostalgia, and Archive in Bong Joon-ho's Memories of Murder (2011)“I Didn’t Think We’d Be Like Them”; or, Wong Kar Wai, Hongkonger (2018)Owning the Olympics Narratives of the New China (2008)Owning the Olympics (2008)Shakespeare and World Cinema (2012)Another Steven Soderbergh experience: authorship and contemporary Hollywood (2013)Performance as Authorship: Sarah Michelle Gellar and Buffy Season 6 (2016)Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor (2017)
this work references cited by second hop

References

  • 2008Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility121 cited
  • 1999Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together37 cited
  • 2003Wong Kar-wai’s Ashes of Time36 cited
  • 2011Film Authorship: Auteurs and Other Myths31 cited
  • 2008Wong Kar-wai’s Films and the Culture of the Kawaii23 cited
  • 1999Dialectic of Deception22 cited
  • 2009Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism15 cited

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