SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
De Bonampak al Templo Mayor: el azul maya en Mesoamérica
0 references·16 citing·32 second hopsampled
De Bonampak al Templo Mayor: el azul maya en Mesoamérica (1993)De Bonampak al Templo Mayor: el azul maya…Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)Shades of blue: non-invasive …Electroanalytical techniques in archaeological and art conservation (2017)Electroanalytical techniques …Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment (2013)Redox Tuning and Species Dist…On the dehydroindigo contribution to Maya Blue (2013)On the dehydroindigo contribu…Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry (2013)Identification of indigoid co…Discovery of indigoid-containing clay pellets from La Blanca: significance with regard to the preparation and use of Maya Blue (2013)Discovery of indigoid-contain…The first direct evidence of pre-columbian sources of palygorskite for Maya Blue (2012)The first direct evidence of …Chromatographic analysis of indigo from Maya Blue by LC–DAD–QTOF (2012)Chromatographic analysis of i…Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)Aged Natural and Synthetic Ma…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …Characterization of Maya Blue pigment in pre-classic and classic monumental architecture of the ancient pre-Columbian city of Calakmul (Campeche, Mexico) (2010)Characterization of Maya Blue…THE OCCURRENCE OF PALYGORSKITE IN THE YUCATÁN PENINSULA: ETHNO‐HISTORIC AND ARCHAEOLOGICAL CONTEXTS* (2008)THE OCCURRENCE OF PALYGORSKIT…Synchrotron powder diffraction on Aztec blue pigments (2007)Synchrotron powder diffractio…Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS (2007)Sourcing the Palygorskite Use…Electrochemical monitoring of indigo preparation using Maya’s ancient procedures (2007)Electrochemical monitoring of…Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction (2006)Crystal structure refinement …Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue Paint: An Ancient Nanostructured Material (1996)Painting Materials: A Short Encyclopedia (2011)A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue (2019)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy (2010)Crystal structure refinement of a sepiolite/indigo Maya Blue pigment using molecular modelling and synchrotron diffraction (2011)Obsidian Characterization by Laser Ablation ICP-MS and its Application to Prehistoric Trade in the Mediterranean and the Near East: Sources and Distribution of Obsidian within the Aegean and Anatolia (1999)Maya Lime Mortars—Relationship between Archaeomagnetic Dating, Manufacturing Technique, and Architectural Function—The Dzibanché Case (2016)THE MATERIALITY OF COLOR IN PRE-COLUMBIAN CODICES: INSIGHTS FROM CULTURAL HISTORY (2017)The natural constituents of historical textile dyes (2004)On the interpretation of the Raman spectra of Maya Blue: a review on the literature data (2010)Insights into the Maya Blue Technology: Greenish Pellets from the Ancient City of La Blanca (2011)Chemical characterization of ceramic pastes in archaeology (1992)Modern analytical methods in art and archaeology (2000)Social Change and the Evolution of Ceramic Production and Distribution in a Maya Community (2008)Laser Ablation ICP‐MS in Archaeology (2012)The colour of ochres explained by their composition (2005)Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Probing the Indigo Molecule in Maya Blue Simulants with Resonance Raman Spectroscopy (2018)New Hints on the Maya Blue Formation Process by PCA‐Assisted In Situ XRPD/PDF and Optical Spectroscopy (2019)Part I, The Development of the Method (1960)Morphology and mechanisms of formation of natural patinas on archaeological Cu–Sn alloys (1998)Composition and electrochemical properties of natural patinas of outdoor bronze monuments (2007)Electrochemical Age Determinations of Metallic Specimens—Utilization of the Corrosion Clock (2019)Solid-state electrochemical characterization of emissions and authorities producing Roman brass coins (2019)Electrochemical assessment of pigments-binding medium interactions in oil paint deterioration: a case study on indigo and Prussian blue (2020)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Influences of micropores and water molecules in the palygorskite structure on the color and stability of Maya blue pigment (2021)The chemistry of making color in art (2021)Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes) (2021)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

No references inside the corpus for this window.

Cited by

  • 2020Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices51 cited
  • 2007Electrochemical monitoring of indigo preparation using Maya’s ancient procedures49 cited
  • 2007Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS47 cited
  • 2006Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction46 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2012Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make?41 cited
  • 2013On the dehydroindigo contribution to Maya Blue39 cited
  • 2012The first direct evidence of pre-columbian sources of palygorskite for Maya Blue39 cited
  • 2017Electroanalytical techniques in archaeological and art conservation32 cited
  • 2013Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment30 cited
  • 2010Characterization of Maya Blue pigment in pre-classic and classic monumental architecture of the ancient pre-Columbian city of Calakmul (Campeche, Mexico)29 cited
  • 2008THE OCCURRENCE OF PALYGORSKITE IN THE YUCATÁN PENINSULA: ETHNO‐HISTORIC AND ARCHAEOLOGICAL CONTEXTS*26 cited
  • 2012Chromatographic analysis of indigo from Maya Blue by LC–DAD–QTOF

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

24 cited
  • 2013Discovery of indigoid-containing clay pellets from La Blanca: significance with regard to the preparation and use of Maya Blue21 cited
  • 2013Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry20 cited
  • 2007Synchrotron powder diffraction on Aztec blue pigments20 cited