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This paper examines the tonal system of Kibondei, a Rantu language and its tonal and reduplication patterns. The appearance of otherwise unrealized tones from verb stems that spread onto adjacent materials is first discussed. Then reduplication patterns are examined, which exhibit some unusual tone shifting patterns. These are explained within the framework of Optimality Theory, with constraints on segments, tones and morphemes. Finally, implications of tone systems for Optimality Theory and the interface of different linguistic components are briefly discussed, as these hint at interesting and possible interpretations of Optimality Theory. (Korea University)
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