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“Written on My Tainted Brow”: Woman and the Exegetical Tradition inThe Tragedy of Mariam
16 references·1 citing·29 second hop
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References

  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1954Mimesis: The Representation of Reality in Western Literature2,024 cited
  • 1993Writing women in Jacobean England370 cited
  • 1986Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works294 cited
  • 1985Half Humankind: Contexts and Texts of the Controversy about Women in England, 1540-1640210 cited
  • 1992Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture.160 cited
  • 1994Tragedy of Mariam, the Fair Queen of Jewry111 cited
  • 2010Disciplinary, Moral, and Ascetical Works78 cited
  • 2000Female Performativity in "The Tragedy of Mariam"55 cited
  • 1983The Art of Biblical Narrative49 cited
  • 1994“Profane Stoical Paradoxes”: The Tragedie of Mariam and Sidnean Closet Drama45 cited
  • 1997Women writers of the English Renaissance44 cited
  • 1990Redeeming Eve31 cited
  • 1956Doctrine of the lady of the Renaissance29 cited
  • 1995Gender and the Political Subject in The Tragedy of Mariam23 cited
  • 1985THE WOMEN'S SHARP REVENGE: FIVE WOMEN'S PAMPHLETS FROM THE RENAISSANCE.

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  • 2025Early Modern Women’s Writing and the Future of Literary History6 cited