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Henri Lefebvre and the Production of Music Streaming Spaces
16 references·2 citing·45 second hop
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References

  • 1998Thirdspace: Journeys to Los Angeles and other Real-and-Imagined Places3,136 cited
  • 2001Technologies, Texts and Affordances2,004 cited
  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 2006From Cyber to Hybrid691 cited
  • 2005No Dead Air! The iPod and the Culture of Mobile Listening384 cited
  • 2002Critiques of Everyday Life356 cited
  • 2017Music and Identity354 cited
  • 1994AudienceMaking: How the Media Create the Audience188 cited
  • 2002MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES157 cited
  • 2007Cyberspace As/And Space151 cited
  • 2002Cybering Democracy: Public Space and the Internet142 cited
  • 2012Communication Geography: A Bridge Between Disciplines135 cited
  • 2008HENRI LEFEBVRE’S THEORY OF THE PRODUCTION OF SPACE: TOWARDS A THREE-DIMENSIONAL DIALECTIC131 cited
  • 2002All That Glitters is Not Gold: Digging Beneath the Surface of Data Mining125 cited
  • 2012Splintered Space: Hybrid Spaces and Differential Mobility103 cited
  • 2013“The Devastating Conquest of the Lived by the Conceived”

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79 cited

Cited by

  • 2016Mare Nostrum: the visual politics of a military-humanitarian operation in the Mediterranean Sea111 cited
  • 2019Online music distribution and the unpredictability of software logistics10 cited