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Do-it-yourself institutions of popular music heritage: the preservation of music’s material past in community archives, museums and halls of fame
16 references·5 citing·39 second hop
Do-it-yourself institutions of popular music heritage: the preservation of music’s material past in community archives, museums and halls of fame (2015)Do-it-yourself institutions of popular mu…Sustaining popular music’s material culture in community archives and museums (2015)Sustaining popular music’s ma…Preserving Popular Music Heritage (2015)Preserving Popular Music Heri…Uses of Heritage (2014)Uses of HeritageToward a survivor-centered approach to records documenting human rights abuse: lessons from community archives (2014)Toward a survivor-centered ap…Unauthorising popular music heritage: outline of a critical framework (2013)Unauthorising popular music h…Popular music as cultural heritage: scoping out the field of practice (2013)Popular music as cultural her…Notes towards a typology of the DIY institution: Identifying do-it-yourself places of popular music preservation (2013)Notes towards a typology of t…Evidence, memory, identity, and community: four shifting archival paradigms (2012)Evidence, memory, identity, a…Retromania: Pop Culture's Addiction to Its Own Past (2011)Retromania: Pop Culture's Add…YouTube versus the National Film and Sound Archive: Which Is the More Useful Resource for Historians of Australian Television? (2010)YouTube versus the National F…New frameworks for community engagement in the archive sector: from handing over to handing on (2010)New frameworks for community …Whose memories, whose archives? Independent community archives, autonomy and the mainstream (2009)Whose memories, whose archive…Amateur experts (2009)Amateur experts“Heritage rock”: Rock music, representation and heritage discourse (2009)“Heritage rock”: Rock music, …Community Histories, Community Archives: Some Opportunities and Challenges1 (2007)Community Histories, Communit…Music Scenes: Local, Translocal, and Virtual. (2006)Music Scenes: Local, Transloc…Community-Based Practices of Archiving Indonesian Popular Music: Redefining the Notion of Indonesia (2024)Community-Based Practices of …Bridging Culture and Communities: A Bibliometric Analysis of Collaboration Practices of Museums, Libraries, and Theaters (2024)Bridging Culture and Communit…‘I’m fired up now!’: digital cataloguing, community archives, and unintended opportunities for individual and archival digital inclusion (2022)‘I’m fired up now!’: digital …Exploration role of volunteerism on the digitisation project: case of the office of the premier in Mpumalanga province, South Africa (2020)Exploration role of volunteer…Community Archives in Australia: A Preliminary Investigation (2020)Community Archives in Austral…Modernity at Large: Cultural Dimensions of Globalization. (1998)The Heritage Crusade and the Spoils of History (1998)Uses of Heritage (2006)A bibliometric analysis of cultural heritage research in the humanities: The Web of Science as a tool of knowledge management (2023)The recognition and misrecognition of community heritage (2010)Affect and the archive, archives and their affects: an introduction to the special issue (2015)Self-determination and archival autonomy: advocating activism (2015)Agency in the archive: a model for participatory recordkeeping (2016)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Invention of Tradition (1986)The Past is a Foreign Country (1986)Critical Directions for Archival Approaches to Social Justice (2015)‘To Be Able to Imagine Otherwise’: community archives and the importance of representation (2016)Constituting an archive (2001)Archives, records, and power: The making of modern memory (2002)Refiguring the Archive (2002)Seeing Yourself in History (2014)The Making of a Counter Culture (1970)The Ashgate research companion to heritage and identity (2009)Critique and Renewal in the Sociology of Music: Bourdieu and Beyond (2011)Cultural Mediators and Gatekeepers (2015)Exchange and Power in Social Life. (1965)Club cultures: music, media and subcultural capital (1996)Club Cultures: Music, Media and Subcultural Capital (1997)Memes in a Digital World: Reconciling with a Conceptual Troublemaker (2013)The romance of work: Gender and aspirational labour in the digital culture industries (2015)Tiered Governance and Demonetization: The Shifting Terms of Labor and Compensation in the Platform Economy (2020)Heritage Pasts and Heritage Presents: temporality, meaning and the scope of heritage studies (2001)Heritage diplomacy (2015)Digitisation, digital interaction and social media: embedded barriers to democratic heritage (2016)Experiencing the Digital World: The Cultural Value of Digital Engagement with Heritage (2016)Nostalgia-Evoked Inspiration (2015)The graphic novel an introduction (2015)Nostalgia marketing and (re-)enchantment (2019)The Production of Culture Perspective (2004)From exclusive to inclusive elitists and further: Twenty years of omnivorousness and cultural diversity in arts participation in the USA (2005)Youth‐Subcultural Studies: Sociological Traditions and Core Concepts (2007)Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions (2011)Lessons from archives (2020)
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References

  • 2011Retromania: Pop Culture's Addiction to Its Own Past662 cited
  • 2012Evidence, memory, identity, and community: four shifting archival paradigms450 cited
  • 2009Whose memories, whose archives? Independent community archives, autonomy and the mainstream320 cited
  • 2006Music Scenes: Local, Translocal, and Virtual.287 cited
  • 2007Community Histories, Community Archives: Some Opportunities and Challenges1280 cited
  • 2014Uses of Heritage218 cited
  • 2009Amateur experts166 cited
  • 2009“Heritage rock”: Rock music, representation and heritage discourse134 cited
  • 2014Toward a survivor-centered approach to records documenting human rights abuse: lessons from community archives111 cited
  • 2013Unauthorising popular music heritage: outline of a critical framework111 cited
  • 2010New frameworks for community engagement in the archive sector: from handing over to handing on105 cited
  • 2013Popular music as cultural heritage: scoping out the field of practice92 cited
  • 2013Notes towards a typology of the DIY institution: Identifying do-it-yourself places of popular music preservation62 cited
  • 2015Preserving Popular Music Heritage43 cited
  • 2015Sustaining popular music’s material culture in community archives and museums

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40 cited
  • 2010YouTube versus the National Film and Sound Archive: Which Is the More Useful Resource for Historians of Australian Television?37 cited
  • Cited by

    • 2022‘I’m fired up now!’: digital cataloguing, community archives, and unintended opportunities for individual and archival digital inclusion9 cited
    • 2020Exploration role of volunteerism on the digitisation project: case of the office of the premier in Mpumalanga province, South Africa8 cited
    • 2020Community Archives in Australia: A Preliminary Investigation4 cited
    • 2024Bridging Culture and Communities: A Bibliometric Analysis of Collaboration Practices of Museums, Libraries, and Theaters3 cited
    • 2024Community-Based Practices of Archiving Indonesian Popular Music: Redefining the Notion of Indonesia1 cited