New Waves in Musical Ontology

Abstract

Since analytic aesthetics began, around 50 years ago, music has perhaps been the art most discussed by philosophers. The reasons for philosophers’ attraction to music as a subject are obscure, but one element is surely that music, as a non-linguistic, non-pictorial, multiple-instance, performance art, raises at least as many questions about expression, ontology, interpretation and value as any other art—questions that often seem more puzzling than those raised by other arts. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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